Callaghan's writing is wide ranging but often takes on the perspective of a marginalized individual's view of the human experience. These tales are told in a variety of voices: street hustlers, priests, blues singers, Holocaust survivors, cross-dressers, paramilitary snipers, even those we may euphemistically consider the "ordinary"—all of them authentic, and all would subscribe to the maxim that "happiness is overrated." The dialogue is true to speech as it is spoken, shot through with hu...

In the 1950s and 1960s, boxers John Caldwell and Freddie Gilroy reached the very pinnacle of their sport and brought immense pride to Belfast and Ireland. This is their story of friendship and rivalry, of glory and pain, of riches and poverty. Belfast is world-renowned for her glovemen. Best of Enemies explores the careers of two of the city's finest exponents of the noble art of boxing. As friends, they won Olympic medals for Ireland. As professionals, they quickly became bitter adversari...

In 1928, just after he published his first novel, Morley Callaghan asked his editor, "Do you think The New Yorker would be a good magazine for my stories? They have never printed fiction before, but are going to start with that story of mine called 'An Escapade.'" Through these short stories from Callaghan—whom Ernest Hemingway compared to James Joyce—readers will realize just how good a fit is was.

Barry Callaghan and Joe Rosenblatt, poets of perspicacity, pizzazz, and probity, have been combative, ecstatic compadres for over 40 years, with Callaghan donning an array of chapeaus, the man of belles lettres and hog flaneur-on-the-hoof from Smooth City, while Rosenblatt decades ago declared his unconditional allegiance to the buzzzers, chirpers, and purrers of the natural world, to remain at peace by his pond, aloof from the human horde. This most unlikely pair are conjoined by their sh...