Academic attention has focused on America's influence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900–...

This book brings together a significant part of Derek B. Scott’s diverse academic work, showing that the cultural history of music matters not only for the understanding it can bring to the meaning and purpose of music-making, but also because it can play a role in the development of social justice and a democratic culture. Where music history is concerned, Scott argues that we should offer interpretations that question the extent to which critics and historians have prized ethnicity and n...

From the Erotic to the Demonic demonstrates how different musical styles construct ideas of class, sexuality, and ethnic identity. This book will serve as a model for musicologists who want to take a postmodern approach to their inquiries. The clear and lively arguments are supported by ninety musical examples taken from such diverse sources as opera, symphonic music, jazz, and nineteenth- and twentieth-century popular songs. Derek Scott offers new insights on a range of "high" an...

The phrase "popular music revolution" may instantly bring to mind such twentieth-century musical movements as jazz and rock 'n' roll. In Sounds of the Metropolis, however, Derek Scott argues that the first popular music revolution actually occurred in the nineteenth century, illustrating how a distinct group of popular styles first began to assert their independence and values. He explains the popular music revolution as driven by social changes and the incorporation of music into...

Why do we feel justified in using adjectives such as romantic, erotic, heroic, melancholic, and a hundred others when speaking about music? How do we locate these meanings within particular musical styles? These are questions that have occupied Derek Scott's thoughts and driven his critical musicological research for many years. In this selection of essays, dating from 1995-2010, he returns time and again to examining how conventions of representation arise and how they become established....

First published in 1989, The Singing Bourgeois challenges the myth that the 'Victorian parlour song' was a clear-cut genre. Derek Scott reveals the huge diversity of musical forms and styles that influenced the songs performed in middle class homes during the nineteenth century, from the assimilation of Celtic and Afro-American culture by songwriters, to the emergence of forms of sacred song performed in the home. The popularity of these domestic songs opened up opportunities to women comp...

The songbooks of the 1830-40s were printed in tiny numbers, and small format so they could be hidden in a pocket, passed round or thrown away.Collectors have sought ‘these priceless chapbooks’, but only recently a collection of 49 songbooks has come to light. This collection represents almost all of the known songbooks from the period.

The songbooks of the 1830-40s were printed in tiny numbers, and small format so they could be hidden in a pocket, passed round or thrown away.Collectors have sought ‘these priceless chapbooks’, but only recently a collection of 49 songbooks has come to light. This collection represents almost all of the known songbooks from the period.

The songbooks of the 1830-40s were printed in tiny numbers, and small format so they could be hidden in a pocket, passed round or thrown away.Collectors have sought ‘these priceless chapbooks’, but only recently a collection of 49 songbooks has come to light. This collection represents almost all of the known songbooks from the period.

The songbooks of the 1830-40s were printed in tiny numbers, and small format so they could be hidden in a pocket, passed round or thrown away.Collectors have sought ‘these priceless chapbooks’, but only recently a collection of 49 songbooks has come to light. This collection represents almost all of the known songbooks from the period.

In a sensational follow-up to Echoes of Sherlock Holmes and In the Company of Sherlock Holmes, a brand-new anthology of stories inspired by the Arthur Conan Doyle canonFor the Sake of the Game is the latest volume in the award-winning series from New York Times bestselling editors Laurie R. King and Leslie S. Klinger, with stories of Sherlock Holmes, Dr. Watson, and friends in a variety of eras and forms. King and Klinger have a simple formula: a...

A queer Anthology that explores the romantic life and happy ever afters of gay men navigating the LGBT landscape. All stories are written by Own Voice gay authors! From small towns to big cities, each story shows that love is love, no matter the season. Stories by Blake Allwood, Kelvin Young, Brent Archer, J. Scott Coatsworth, RJ Peterson, Derek Puddester, David Gray, Andrew McQuinn, Duncan Gaye, and M.D. Neu.