Goethe's Faust reworks the late-medieval myth of Dr Faust, a brilliant scholar so disillusioned he resolves to make a contract or wager with the devil, Mephistopheles. The devil will do all he asks on Earth and seek to grant him a moment in life so glorious that he will wish it to last for ever. But if Faust does bid the moment stay, he falls to Mephisto and must serve him after death. In this first part of Goethe's great work the embittered thinker and Mephistopheles enter into their agre...

What is ‘European Angst’? Is it the extension of ‘German Angst’ to a whole continent? The latter term is often used disparagingly to describe the German tendency to problematise, weigh up and hesitate, especially when reasons for this seem slight and insignificant. But European Angst has nothing to do with stereotypical overscrupulousness. It is a mass of powerful emotions which transcend national borders and therefore seemed a fitting title for a conference which was to address disturbing...

'Shall I embrace you, must I let you go? Again you haunt me: come then, hold me fast!'Goethe viewed the writing of poetry as essentially autobiographical and the works selected in this volume represent over sixty years in the life of the poet. In early poems such as 'Prometheus' he rails against religion in an almost ecstatic fervour, while 'To the Moon' is an enigmatic meditation on the end of a love affair. The Roman Elegies show Goethe's use of Classical metres...

Fausto (considerado uma das grandes obras-primas da literatura alemã) é um poema trágico do escritor alemão Johann Wolfgang von Goethe. Está redigido como uma peça de teatro com diálogos rimados, pensado mais para ser lido que para ser encenado.A criação da obra ocupou toda a vida de Goethe, ainda que não de maneira contínua. A primeira versão foi composta em 1775, mas era apenas um esboço conhecido como Urfaust (Proto-Fausto). Outro esboço foi feito em 1791, intitulado Faust, ein ...

In this sequel to Faust, Mephistopheles takes Faust on a journey through ancient Greek mythology, conjuring for him the insurpassably beautiful Helen of Troy, as well as the classical gods. Faust falls in love with and marries Helen, embodying for Goethe his 'imaginative longing to join poetically the Romantic Medievalism of the germanic West to the classical genius of the Greeks'. Further to the themes of redemption and salvation in this great drama, are Goethe's eerie premonitio...

The play was late in breaking up: old Barbara went more than once to the window, and listened for the sound of carriages. She was waiting for Mariana, her pretty mistress, who had that night, in the afterpiece, been acting the part of a young officer, to the no small delight of the public. Barbara's impatience was greater than it used to be, when she had nothing but a frugal supper to present: on this occasion Mariana was to be surprised with a packet, which Norberg, a young and wealthy me...

"Why do I write?" is a question we ask ourselves every time we sit down at our desks, often without a clear answer. The author of this book confesses that he first picked up a pen simply because he loved the act of writing. He couldn't quite tell if what he was scribbling on the blank page was a diary, a novel, or a poem, but he admits that writing those unidentifiable words brought him a sense of peace.Over time, writing became a necessity - whether it was reports for school proje...

The Sorrow of Loving Too Much : It is always sad that more people do not read Goethe for pleasure alone. Yes, he was a scholarly writer but his works, although profound, are written in an easily understandable style. It could well be that many people have been needlessly scared off by Goethes monumental intelligence and his philosophy. This is too bad. His books revolve around themes that are universal, subjects to which all of us can relate: romantic love, nature, God, beauty.Eigh...

Kit Donnelly grew up inside the Ironwood Motorcycle Club. Her father helped build it. It was her whole family — right up until the night it took him from her. Jasper “Pike” Kell was on a club run he had sworn to skip when her father died, and he came home to a wife already halfway out the door. She grieved alone. She divorced him. She spent five years learning to live without the man and the club that had cost her everything.Then, somehow, they found their way back. No showy diamond...

The Ridgeback club was the only family Nell Quinn ever had. They took her in when she was a rough, unwanted kid; they were her mother, her brothers, her whole belonging long before she was ever Eli “Rook” Dain’s old lady. So when the club turned on her — when a lie she couldn’t disprove made her the thing that had to be cut off — it wasn’t a stranger who did the tearing. It was Eli. At the table. In front of everyone. He stripped the leather off her back with his own hands, cast her out of...

They called him Judge because he was the one who decided. When a brother wronged a brother, when a debt came due, when the club needed someone to weigh the ugly truth and hand down the verdict nobody else could stomach — Abel Hart sat in the seat and rendered it, cold and clean. He was good at it. He believed in it. And then the woman he loved stood accused in his own church, and he looked her in the eye, and he ruled her guilty.He knew she was innocent. That is the part Maeve Doran...

Etta Finch knows exactly one thing she isn’t allowed to touch: the photograph her husband keeps face-down in the drawer. “An old club thing,” Tex says. “Leave it.” And for three good years she does, because the life they’ve built in Harlan is real — a settled man, a warm club, a marriage worth the quiet. She tells herself the face-down photo is just history.Then the woman in the photo comes home.Corinne was the Redhorse MC’s golden girl once — Tex’s first old lady, his great ...