This volume examines the unique form of postcolonial Ghanaian theatre Anansegoro, ranging from its 1960s origins to its new significance as an example of the intersection between performance, intangible cultural heritage and copyright law.Developed in the 1960s by Efua Sutherland and her collaborators as a new theatre for a newly independent nation, Anansegoro draws directly from the precolonial form of village storytelling, Anansesem(stories about Ananse,...

Traversing 400 years of drama, this book examines the history play as a distinctive form that has its origins in the Early Modern period and which evolves in each subsequent period according to the segment of history being dramatized and the changing conceptions of the state.Much has been written on Shakespeare's history plays but very little on the overall form and whether it is distinguished by the historical accuracy of the drama, the relationship with the audie...

What does 'performance theory' really mean and why has it become so important across such a large number of disciplines, from art history to religious studies and architecture to geography? In this introduction Simon Shepherd explains the origins of performance theory, defines the terms and practices within the field and provides new insights into performance's wide range of definitions and uses. Offering an overview of the key figures, their theories and their impact, Shepherd provides a ...

This volume provides an accessible overview of the history of kabuki, Japan's 'music-dance-drama'. It traces the development of the form from its ribald, burlesque beginnings in the early 1600s, the creation of grand melodramas in the 1700s, through to 21st century experimental fusions with pop culture, and examines six popular works drawn from the 18th-20th centuries.Along the way, it examines the development of star-driven commercial theater with blockbuster play...

Where did cabaret come from? What has it got to do with pre-war Berlin, decadent society and Nazis? How does it turn into media cabaret and the sisterhood of sleaze? Is cabaret a primary vehicle for exploring the range of sexual practices and alternative sexual identities?In this new book William Grange brings into one place for the first time the range of practices now associated with the form of cabaret. Beginning with its origins in speciality German theatres and the development...

Now in its 4th edition, this is an accessible and comprehensive introduction to the critical study of drama. Using familiar examples of classic and contemporary works such as Shakespeare's King Lear, Ibsen's A Doll's House and Timberlake Wertenbaker's Our Country's Good, the book explores the essential elements of play texts, from character, dialogue and plot to theatrical space.With more in depth guidance on how to study plays in and as performance, both...

What were the origins of commedia dell'arte and how did it evolve as a dramatic form over time and as it spread from Italy? How did its relationship to the ruling ideology of the day change during the Enlightenment? What is its legacy today?These are just some of the questions addressed in this authoritative overview of the dramatic, ideological and aesthetic form of commedia dell'arte. The book's 3 sections examine the changing role of performers and playwrights, improvisatory sce...

This rich collection of readings offers a wide-ranging and authoritative survey of clown practices, history and theory, from the origins of the word clown through to contemporary clowning. Covering clowns in theatre, circus, cinema, TV, street and elsewhere, the author's stimulating narrative challenges assumptions and turns orthodoxy on its head.

What is implied when we refer to the study of performing arts as 'drama', 'theatre' or 'performance'? Each term identifies a different tradition of thought and offers different possibilities to the student or practitioner. This book examines the history and use of the terms and investigates the different philosophies, politics, languages and institutions with which they are associated. Simon Shepherd and Mick Wallis:analyze attitudes to drama, theatre and performance at diffe...

What distinguishes modern tragedy from other forms of drama? How does it relate to contemporary political and social conditions? To what ends have artists employed the tragic form in different locations during the 20th century?Partly motivated by the urgency of our current situation in an age of ecocidal crisis, Modern Tragedy encompasses a variety of drama from throughout the 20th century. James Moran begins this book with John Millington Synge's Riders to the Sea

This is an accessible introduction to jingju (Beijing/Peking opera) which presents readers with an analysis of the different components of its aesthetic form in the context of its ongoing cultural history.It traces the history of jingju from its origin during the 1790s to its present-day status as one of the few theatrical forms to enjoy nation-wide popularity in China. In 2010, UNESCO placed it on the Representative List of the Intangible Heritag...

An accessible and authoritative compendium of key concepts in acting, this book reveals how the craft has been understood by the world's leading practitioners and theorists.What is 'truthful' acting? Am I 'freeing the voice' and being 'authentic' in my performance? The idioms of acting can both delight and confound. While enthusiastic theatregoers and aspiring actors may be attracted to studio slang, theorists and practitioners of the craft will argue fiercely over...