Showing results for "robert pippin"

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Robert B. Pippin

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Princeton Monographs in Philosophy

In the most influential chapter of his most important philosophical work, the Phenomenology of Spirit, Hegel makes the central and disarming assertions that "self-consciousness is desire itself" and that it attains its "satisfaction" only in another self-consciousness. Hegel on Self-Consciousness presents a groundbreaking new interpretation of these revolutionary claims, tracing their roots to Kant's philosophy and demonstrating their continued relevance for contemporary ...

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Robert B. Pippin

A philosophical engagement with Bresson's many films, attentive to more than their religiosity.Over a forty-year career, Robert Bresson developed one of the most distinctive cinematic styles in the history of filmmaking. Criticizing conventional movies as "filmed theater," Bresson proposed instead a way of writing with images, which he called "cinematographs." Robert B. Pippin argues here for a way of understanding how these stylistic innovations express a range of...

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Robert B. Pippin

"By far the deepest and most thorough study of Heidegger's reading of Hegel and its centrality to his account of the history of metaphysics." —Taylor Carman, Barnard CollegeA provocative reassessment of Heidegger's critique of German Idealism from one of the tradition's foremost interpreters.Heidegger claimed that Western philosophy ended—failed, even—in the German Idealist tradition. In The Culmination, Robert B. Pippin explores the ramifications of...

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Robert B. Pippin

"[An] invaluable contribution . . . changes the world—if only a little bit—by helping us to understand how we ought to understand ourselves." —Jensen Suther, Radical PhilosophyHegel claimed that the heart of his entire system was a book widely regarded as among the most difficult in the history of philosophy, The Science of Logic. The book presents his metaphysics, an enterprise that he insists can only be properly understood as a "logic," or a "sc...

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Robert B. Pippin

"Anyone enthralled by Hitchcock's masterwork . . . could ask for no better guide. . . . one of the most satisfying, provocative, and enlightening books on cinema." —Robert Sinnerbrink, LA Review of BooksOn the surface, The Philosophical Hitchcock: Vertigo and the Anxieties of Unknowingness, is a close reading of Alfred Hitchcock's 1958 masterpiece Vertigo. This, however, is a book by Robert B. Pippin, one of our most penetrating and creative philo...

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Robert Pippin

Nobel Prize-winning novelist J.M. Coetzee's "Jesus" fictions constitute a trilogy of novels that have appeared over the last decade. They stand out from his earlier work in their difficulty, and in the central role they accord philosophy--in part through their interest in specific themes in which philosophy is interested, in part through their critical engagement with philosophy as a mode of intellectual activity, with a very particular role to play in the broader cultural concerns of mode...

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Robert B. Pippin

In his Berlin lectures on fine art, Hegel argued that art involves a unique form of aesthetic intelligibility—the expression of a distinct collective self-understanding that develops through historical time. Hegel's approach to art has been influential in a number of different contexts, but in a twist of historical irony Hegel would die just before the most radical artistic revolution in history: modernism. In After the Beautiful, Robert B. Pippin, looking at modernist paintings b...

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Robert B. Pippin

In this latest book, renowned philosopher and scholar Robert B. Pippin offers the thought-provoking argument that the study of historical figures is not only an interpretation and explication of their views, but can be understood as a form of philosophy itself. In doing so, he reconceives philosophical scholarship as a kind of network of philosophical interanimations, one in which major positions in the history of philosophy, when they are themselves properly understood within their own hi...

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Robert B. Pippin

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Philosophical Filmmakers

It would be easy to dismiss the films of Douglas Sirk (1897-1987) as brilliant examples of mid-century melodrama with little to say to the contemporary world. Yet Robert Pippin argues that, far from being marginal pieces of sentimentality, Sirk's films are rich with irony, insight and depth. Indeed Sirk's films, often celebrated as classics of the genre, are attempts to subvert rather than conform to rules of conventional melodrama.The visual style, story and characters of films li...

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Robert B. Pippin

With the rise of review sites and social media, films today, as soon as they are shown, immediately become the topic of debates on their merits not only as entertainment, but also as serious forms of artistic expression. Philosopher Robert B. Pippin, however, wants us to consider a more radical proposition: film as thought, as a reflective form. Pippin explores this idea through a series of perceptive analyses of cinematic masterpieces, revealing how films can illuminate, in a concrete man...

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Robert B. Pippin

Throughout his career, Robert B. Pippin has examined the relationship between philosophy and the arts. With his writings on film, literature, and visual modernism, he has shown that there are aesthetic objects that cannot be properly understood unless we acknowledge and reflect on the philosophical concerns that are integral to their meaning. His latest book, Philosophy by Other Means, extends this trajectory, offering a collection of essays that present profound considerations of...

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Robert B. Pippin

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Page-Barbour Lectures

The crime melodramas of the 1940s known now as film noir shared many formal and thematic elements, from unusual camera angles and lighting to moral ambiguity and femmes fatales. In this book Robert Pippin argues that many of these films also raise distinctly philosophical questions. Where most Hollywood films of that era featured reflective individuals living with purpose, taking action and effecting desired consequences, the typical noir protagonist deliberates and plans, only to be confr...