The musical, whether on stage or screen, is undoubtedly one of the most recognizable musical genres, yet one of the most perplexing. What are its defining features? How does it negotiate multiple socio-cultural-economic spaces? Is it a popular tradition? Is it a commercial enterprise? Is it a sophisticated cultural product and signifier?This research guide includes more than 1,400 annotated entries related to the genre as it appears on stage and screen. It includes reference works,...

The Broadway musical has greatly influenced both American and world culture. Shows such as Oklahoma! and Annie Get Your Gun are as American as apple pie, while the long runs of imports such as Cats, The Phantom of the Opera, and Les Misérables have broken records. Shows filled with rock and pop music such as Mamma Mia! and Wicked enthrall audiences, and revivals of beloved shows play an important role in contemporary Broadway culture. Actors Ethel Merman, Yul Brynner, Julie Andrews, Bernad...

What if Christian worship took place as a conversation at a round table spread with elements of earth's gifts of nurture and beauty? This book describes such a practice--Roundtable Worship--and lays out a fresh and challenging theological foundation for it. Central to this foundation is the struggle to reconstruct the images of governance and justice that have always lain at the heart of a worship shaped by biblical traditions. Drawing on the practice of circle conversations at the heart o...

Whether they appeared on Broadway or the Strand, the shows appearing in 1924 epitomized the glamor of popular musical theatre. What made this particular year so distinctive – so special – was the way it brought together the old and the new, the venerated and the innovative, and the traditional and the chic. William Everett, in his compelling new book, reveals this remarkable mid-Roaring Twenties stagecraft to have been truly transnational, with a stellar cast of producers, performers and c...

The Broadway musical has greatly influenced American (and world) culture. Such shows as Oklahoma! and Annie Get Your Gun are as "American as apple pie," while the long runs of imports like Cats, The Phantom of the Opera, and Les Misérables have broken records. Broadway has produced such cultural icons as Ethel Merman, Yul Brynner, and Julie Andrews, and composers and lyricists such as Irving Berlin, George Gershwin, Cole Porter, Richard Rodgers,...

This harvest of articles drawn from William Johnson Everett's career of teaching and research on four continents and in a variety of institutions shows the breadth, depth, and diversity of his interests. Like spotlights in the wider field of Christian social ethics, they illuminate the key threads that have held together an emerging tapestry of thought woven around the powerful concept of covenant. Whether lifting up concepts of covenant, federalism, and corporation, the "oikos" of work, f...

William Everett has taught in Catholic and Protestant theological schools in the United States, Germany, India, and South Africa. Out of these rich and varied experiences he lays out here in concise manner the main concepts, theories, and commitments that have emerged in his work. From his origins in Washington, DC, to his later research in Germany, India, South Africa, and Cyprus, he reflects on how his experience and life story have shaped his intellectual and religious vision. This expo...

One with God provides insight into the understanding that we are more than work, money, and our five senses. If we are only using the physical or the material side of our power to be, do, and have, we are working with only half of our strength.One with God: A Tool for Understanding and Practical Application is for thinking person’s working through conscious actions within the physical laws of nature, to control their surroundings, to overcome difficulties, to be, do, and have healt...

One With God a Tool for Development of conscious beings or thinking beings; through conscious actions within the physical laws of nature, control their surroundings to overcome difficulties to be, do, have, health, wealth and long life.

The screenplay writer in Hollywood was a pen-for-hire. Whatever your status elsewhere in the world here, in Hollywood, you were usually a high-paid weekly contract where your talents, your genius, were at the beck and call of others who spoke of Art but were really mad but we're really the mouthpieces of Commerce.But radio for the Hollywood studio system was all about marketing. On that basis something approaching art could be produced on a regular basis. This series produced some ...

The screenplay writer in Hollywood was a pen-for-hire. Whatever your status elsewhere in the world here, in Hollywood, you were usually a high-paid weekly contract where your talents, your genius, were at the beck and call of others who spoke of Art but were really mad but we're really the mouthpieces of Commerce.But radio for the Hollywood studio system was all about marketing. On that basis something approaching art could be produced on a regular basis. This series produced some ...

Back in the day radio was the medium; and its message was entertainment!Whatever you craved, radio delivered. Detectives, Mysteries, Westerns, Sci-Fi, Literature.This Golden Age really was crammed full of exciting, thrilling and downright brilliant programmes.These classic radio hours serve up a wide range of genres, stars, stories, and yes, entertainment.Let's jump right in.