Based on three years of ethnographic research with Bruce Springsteen fans, and informed by the author's own experiences as a fan, Tramps Like Us is an interdisciplinary study of the ways in which ordinary people form special, sustained attachments to Springsteen and his music and how those attachments function in people's daily lives. An insider's narrative about Springsteen fans--who they are, what they do, and why they do it--this book also explores the phenomenon of fandom in g...

Winner of the Northeast Popular Culture Association's Peter C. Rollins Book Award (2012)Winner of the ASCAP Deems Taylor Award (2012)Listening and Longing explores the emergence of music listening in the United States, from its early stages in the antebellum era, when entrepreneurs first packaged and sold the experience of hearing musical performance, to the Gilded Age, when genteel critics began to successfully redefine the cultural value o...

Environmental sustainability and human cultural sustainability are inextricably linked. Reversing damaging human impact on the global environment is ultimately a cultural question, and as with politics, the answers are often profoundly local. Cultural Sustainabilities presents twenty-three essays by musicologists and ethnomusicologists, anthropologists, folklorists, ethnographers, documentary filmmakers, musicians, artists, and activists, each asking a particular question or presenting a s...

Le présent ouvrage constitue à la fois une référence et un outil de travail précieux. Il propose une approche par pathologies classées par systèmes, selon un plan précis : les généralités, les critères de choix et la stratégie thérapeutique, l'optimisation thérapeutique, « ce qu'il faut retenir » et des études de cas cliniques pour l'application des connaissances. • Les généralités regroupent la physiopathologie et les médicaments utilisés dans la pathologie. • Les critères de choix et la ...

This book offers the first multidisciplinary perspective on the formation and practices of fandoms before the term 'fan' was borrowed from the world of sport to describe enthusiastic filmgoers in the 1910s. The focus is on nineteenth-century theatre, opera and literature, where fannish audiences were indispensable participants in the emerging cult of celebrity surrounding actors, opera singers and writers, although their presence was almost obscene and consequently rarely acknowledged in s...