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Warrior Women

Gender, Race, and the Transnational Chinese Action Star

2014

EN

Considers the significance of female Chinese action stars in national and transnational contexts.Finalist for the 2014 ForeWord IndieFab Book of the Year Award in the Women's Studies CategoryBronze Medalist, 2015 Independent Publisher Book Awards in the Women Issues CategoryWinnerof the 2015 Emily Toth Award presented by the Popular Culture Association &

5,284 円

Global James Bond

(Re)Imagining and Transplanting a Popular Culture Icon

2023

EN

Global James Bond: (Re) Imagining and Transplanting a Popular Culture Icon focuses on the ambivalent yet fascinating interplay between the global and the local in the longest running film franchise in history. It explores how James Bond established itself as a global standard for action-spy film making and even as a minor global cinema (i.e. imagining), and hot the franchise subsequently inspired a series of genre bending, blending, and breaking in local visual and some literary c...

13,136 円

2016

EN

This book discusses the representational geographies of the Bond film franchise and how they inform our reading of 007 as a hero. Offering a new and interdisciplinary lens through which the franchise can be analyzed, Funnell and Dodds explore a range of topics that have been largely, if not entirely, overlooked in Bond film scholarship. These topics include: the shifting and gendering of geopolitical relations; the differing depiction and evaluation of vertical/modern and horizontal/pre-mo...

3,038 円

Resisting James Bond

Power and Privilege in the Daniel Craig Era

2023

EN

Beginning with Casino Royale (2006) and ending with No Time to Die (2021), the Daniel Craig era of James Bond films coincides with the rise of various justice movements challenging deeply entrenched systems of inequality and oppression, ranging from sexism, racism, and immigration to 2SLGBTQIA+ rights, reproductive justice and climate change. While focus is often placed on individual actions and institutional policies and practices, it is important to recognize the role t...

3,677 円

2025

EN

アクセシビリティ対応

The world’s deadliest spider is a funnel-web spider. It has poisonous venom and powerful fangs. Young readers will be delighted to learn these and more fascinating facts, including the spider’s habitat, hunting techniques, and body parts. Achievable text, stunning photographs, spider jokes, and an activity round out the learning.

3,588 円

2014

EN

アクセシビリティ対応

Critics frequently describe the influence of "America," through Hollywood and other cultural industries, as a form of cultural imperialism. This unidirectional model of interaction does not address, however, the counter-flows of Chinese-language films into the American film market or the influence of Chinese filmmakers, film stars, and aesthetics in Hollywood.The aim of this collection is to (re)consider the complex dynamics of transnational cultural flows between American and Chin...

11,945 円

For His Eyes Only

The Women of James Bond

2015

EN

The release of Skyfall in 2012 marked the fiftieth anniversary of the James Bond film franchise. It earned over one billion dollars in the worldwide box office and won two Academy Awards. Amid popular and critical acclaim, some have questioned the representation of women in the film. From an aging M to the limited role of the Bond Girl and the characterization of Miss Moneypenny as a defunct field agent, Skyfall develops the legacy of Bond at the expense of women....

4,575 円

Screening #MeToo

Rape Culture in Hollywood

2022

EN

Considers how Hollywood films since the 1960s have both reflected and shaped attitudes toward rape and sexual violence.2023 CHOICE Outstanding Academic TitleScreening #MeToo offers an important and timely discussion of the pervasive nature of rape culture in Hollywood. Essays in the collection examine films released from the 1960s onward, a broad period that coincides with the end of the M...

4,712 円

2012

EN

アクセシビリティ対応

This collection examines the exchange of Asian identities taking place at the levels of both film production and film reception amongst pan-Pacific cinemas. The authors consider, on the one hand, texts that exhibit what Mette Hjort refers to as, "marked transnationality," and on the other, the polysemic nature of transnational film texts by examining the release and reception of these films. The topics explored in this collection include the innovation of Hollywood generic formulas into 19...

10,430 円