This widely-studied play is one of the best sellers of the Shakespeare canon. This production is the seventh Shakespeare play in the series undertaken by Naxos AudioBooks in conjunction with Cambridge University Press.

This widely-studied play is one of the best sellers of the Shakespeare canon. This production is the sixth Shakespeare play in the series undertaken by Naxos AudioBooks in conjunction with Cambridge University Press.

Kenneth Branagh heads an outstanding cast in playing one of Shakespeare’s strongest characters. The eighth production in the widely admired series of Shakespeare plays presented by Naxos AudioBooks in association with Cambridge University Press.

Twelfth Night, first performed around 1600, probably at the court of Queen Elizabeth I, is the tale of separated brother and sister twins Sebastian and Viola and their love entanglements. It also offers the rich comic colours of Sir Toby Belch, Malvolio and Sir Andrew Aguecheek. Twelfth Night is part of Naxos AudioBooks’ exciting new series of complete dramatisations of the works of Shakespeare, in conjunction with Cambridge University Press. It uses the New Cambridge Shakespeare text, as ...

Macbeth, Shakespeare’s last great tragedy, has remained one of the most popular plays since it’s first performance in 1606 probably in front of King James. This exciting new audiobook production is directed with fresh imagination by Fiona Shaw who breaks the conventional strait jacket that has hampered the development of Shakespeare on audio. We are as much in the twenty-first century as in medieval Scotland the tensions, the politics, the struggle for power and dark ambition is part of ou...

Hamlet, which dates from 1600-1601, is the first in Shakespeare’s great series of four tragedies, the others being Othello (1603), King Lear (1605) and Macbeth (1606). In writing this extraordinary play Shakespeare effectively reinvented tragedy after an interval of roughly two thousand years we have to go back to the Greek dramatists of fifth-century Athens to find anything of comparable depth and maturity.

Romeo and Juliet is the play which, in English literature at least, effectively invented the modern love story. Its charm and its power derive from the romantic setting (Verona, an Italian Renaissance city), the youthful innocence and ardour of the lovers, and (perhaps crucially) the excitement and drama created by the opposition which they have to contend with, an opposition which does not simply stem from the older generation but which is starkly present in the feud between their two fam...

The life of Franz Schubert has been a gift to romantically inclined biographers: the beautiful, brilliant, modest boy who sprang to fully fledged genius at the age of sixteen; the quintessential ‘artist in a garret’, entirely consumed by his art and living a hand-to-mouth existence in Vienna (home of Mozart, Haydn and Beethoven); the gentle, cheerful, convivial young man who prized friendship almost as highly as music itself; the unworldly poet from whom great music poured like water from ...

For a century Bram Stoker’s Dracula has reigned supreme as the undisputed masterpiece of horror writing. We have all grown up under the shadow of the elegant Count, at once an attractive, brutal and erotic creature of the night. In 1897 Bram Stoker wrote a story expressing the most persistent nightmare of the human condition. Take this opportunity to dream again…