Dossier : Comment se définissent et se construisent les émotions en Grèce ancienne ? Comment sont elles instrumentalisées ? Différents types d’émotions (la douleur, l’amour, la jalousie, le dégoût, la haine, la colère, etc.), leur valeur, leur place et leurs fonctions sont analysés. Les auteurs se demandent si et en quoi, pour les Anciens, leur perception, leur description et leur compréhension, ainsi que leur pratique diffèrent des nôtres. Varia : Les articles proposés ensuite abordent de...

Book IV of the Iliad moves from the truce between Greeks and Trojans and the duel between Menelaos and Paris in Book III to the gods' decision that the Greeks will sack Troy, Athene's persuasion of Pandaros to break the truce by shooting at Menelaos, and the reciprocally and mutually destructive fighting between the two armies that ensues. This edition with commentary enables readers at all levels to interpret Book IV and Homeric poetry generally with heightened pleasure and understanding....

This translation of The Iliad equals Fitzgerald's earlier Odyssey in power and imagination. It recreates the original action as conceived by Homer, using fresh and flexible blank verse that is both lyrical and dramatic.

This wide-ranging collection makes available to specialists and nonspecialists alike important critical work on the Odyssey produced during the last half century. The ten essays address five major concerns: the poem's programmatic representation of social and religious institutions and values; its transformation of folktales and traditional stories into epic adventures; its representation of gender roles and, in particular, of Penelope; its narrative strategies and form; and its relation t...