Jason Isbell describes Will Johnson’s songs as a poetic manipulation of language that employs “multi-syllable words used almost as musical instruments [and] detailed images flying at the listener with no time to fully decipher meaning before the next image appears.” Similar sentiments are echoed in many engaging essays shared here by John Krajicek in Patience for the Ride: The Art and Life of Will Johnson. Recollections from fellow musicians and artists show unwavering appreciatio...

In 1952, Professor Allan Holmberg arranged for Cornell University to lease the Hacienda Vicos, an agricultural estate in the central Peruvian highlands on which some 1800 Quechua-speaking highland peasants resided. Between 1952 and 1957 Holmberg, with colleagues and students, initiated a set of social, economic, and agrarian changes, and nurtured mechanisms for community-based management of the estate by the resident peasants. By the end of a second lease in 1962, sufficient political pres...

FAME Publishing first opened in 1959 and produced hits for great musicians like Etta James, Clarence Carter and Aretha Franklin. Not long after, the city of Muscle Shoals became known as the "Hit Recording Capital of the World." FAME was the foundation that produced Muscle Shoals Sound Studio, the Nutthouse and Sundrop Sound at Single Lock Records'studios that gave a voice to artists like Drive-By Truckers, Jason Isbell and the 400 Unit and John Paul White. A new generation, including the ...