The essays collected in this volume study the poetry and thought of four major Francophone Caribbean writers: Saint-John Perse, Aimé Césaire, Frantz Fanon and Édouard Glissant. In a context where identity was a question, an original conception of subjectivity appeared, as the end point rather than the origin of a process which was inseparably poetic and political. It entailed an aesthetics of dispersion or errance, rather than belonging. This volume thus questions the traditional ...

The essays collected in this volume study the poetry and thought of four major Francophone Caribbean writers: Saint-John Perse, Aimé Césaire, Frantz Fanon and Édouard Glissant. In a context where identity was a question, an original conception of subjectivity appeared, as the end point rather than the origin of a process which was inseparably poetic and political. It entailed an aesthetics of dispersion or errance, rather than belonging. This volume thus questions the traditional ...

Si le sonnet s’impose comme une forme fixe, très réglementée, force est de reconnaître qu’il existe maintenant sous plusieurs formes, plus ou moins fixes et parfois moins que plus, notamment dans le sonnet en prose. Le plan de texte métrique lui servant de définition ne constitue plus une norme. L’auteure a été amenée à réévaluer ce que peut être le sonnet contemporain, à partir d’un arrière-plan culturel très ancré. Elle a émis l’hypothèse que le sonnet constituait un genre défini par des...

This book primarily investigates whether the most important work in the development of Marcel Proust’s À la recherche du temps perdu was Contre Sainte-Beuve, often assigned this role, or the first, unfinished and, in Proust’s lifetime, unpublished novel, Jean Santeuil. Given the length of the final work, this book focuses on the beginning of the first volume, Du Côté de chez Swann, known as «Combray». Proust was writing his work on the French literary cr...

Since the publication of The Wretched of the Earth in 1961, Fanon's work has been deeply significant for generations of intellectuals and activists from the 60s to the present day.Alienation and Freedom collects together unpublished works comprising around half of his entire output – which were previously inaccessible or thought to be lost. This book introduces audiences to a new Fanon, a more personal Fanon and one whose literary and psychiatric works, in particu...

Prior to becoming a psychiatrist, Frantz Fanon wanted to be a playwright and his interest in dialogue, dramatisation and metaphor continued throughout his writing and career. His passion for theatre developed during the years that he was studying medicine, and in 1949 he wrote the plays The Drowning Eye (L'Œil se noie), and Parallel Hands (Les Mains parallèles). This first English translation of the works gives us a Fanon at his most lyrical, experimenta...

Frantz Fanon's psychiatric career was crucial to his thinking as an anti-colonialist writer and activist. Much of his iconic work was shaped by his experiences working in hospitals in France, Algeria and Tunisia. The writing collected here was written from 1951 to 1960 in tandem with his political work and reveals much about how Fanon's thought developed, showing that, for him, psychiatry was part of a much wider socio-political struggle. His political, revolutionary and literary lives sho...

Frantz Fanon's political impact is difficult to overestimate. His anti-colonialist, philosophical and revolutionary writings were among the most influential of the 20th century. The essays, articles and notes published in this volume cover the most politically active period of his life and encapsulate the breadth, depth and urgency of his writings. In particular, they clarify and amplify his much-debated views on violent resistance.These works provide new complexity to our understa...

L’étonnante diversité des possibilités esthétiques offertes par le livre comme support matériel de la fin du XIXe siècle aux expérimentations les plus contemporaines, est au cœur de la réflexion proposée dans ce livre. La page, le feuillet et le livre, l’écran aussi, débordent le cadre du codex et du livre relié (livre en éventail, leporello, recueil d’affiches, livre dressé, livre sculpté, livre éclaté, livre numérique, etc.), par l’hétérogénéité de leurs matières, de leurs formes et de l...