Gothic Horror brings specific images to mind—crumbling castles, dark Parisian alleyways, mad wives in attics, dark and lonely moors, cathedrals where more evil than good exists. Georgia Gothic replaces those locations with antebellum plantations, creatures hidden in backyard sheds, rural folks who might or might not be making pacts with a variety of terrors because that's how it's always been done, city folks hiding their secrets in the trunks of their cars or in their correspondence, hous...

This edited collection delves into the horrors of November 1938 and to what degree they portended the Holocaust, demonstrating the varied reactions of Western audiences to news about the pogrom against the Jews. A pattern of stubborn governmental refusal to help German Jews to any large degree emerges throughout the book. Much of this was in response to uncertain domestic economic conditions and underlying racist attitudes towards Jews. Contrasting this was the outrage expressed by ordinar...