In this volume, Zangwill develops a view of the nature of music and our experience of music that foregrounds the aesthetic properties of music. He focuses on metaphysical issues about aesthetic properties of music, psychological issues about the nature of musical experience, and philosophy of language issues about the metaphorical nature of aesthetic descriptions of music.Among the innovations of this book, Zangwill addresses the limits of literal description, generally, and in the...

Kant's Critique of the Power of Judgment, first published in 1790, was the last of the great philosopher's three critiques, following on the heels of Critique of Pure Reason (1781) and Critique of Practical Reason (1788). In the first two, Kant dealt with metaphysics and morality; in the third, Kant turns to the aesthetic dimension of human experience, showing how our experiences of natural and artistic beauty, the sublime magnitude and might of nature, and of pu...

East End landlady Mrs Drabdump is alarmed when she cannot rouse her lodger Arthur Constant. She summons the assistance of her neighbour, retired Scotland Yard detective George Grodman. He breaks down the door to Constant’s room, only to find the man lying dead on his bed, with a deep cut to his throat.No-one, it seems, could have got in or out of the locked room and there is no sign of the murder weapon. Who was the killer and how will he be identified? A man is condemned to death ...

This book provides a new approach to the intersections between music and philosophy. It features articles that rethink the concepts of musical work and performance from ontological and epistemological perspectives and discuss issues of performing practices that involve the performer’s and listener’s perceptions.In philosophy, the notion of essence has enjoyed a renaissance. However, in the humanities in general, it is still viewed with suspicion. This collection examines the ideas ...