His contemporaries recognised John Donne (1572-1631) as a completely new kind of poet. He was, wrote one enthusiast, ‘Copernicus in Poetrie’. But in the winter of 1614-15 Donne abandoned part-time versification for full-time priestly ministry, quickly becoming one of the most popular preachers of his time. While his verse has never been short of modern admirers, his sermons have recently begun to receive their full share of serious attention. Yet there exists almost no theologically-inform...

In De man die zijn vrouw voor een hoed hield vertelt Oliver Sacks de verhalen van mensen die lijden aan perceptuele en intellectuele afwijkingen: patiënten die hun herinneringen kwijt zijn, niet langer in staat zijn om geliefden of alledaagse voorwerpen te herkennen, of patiënten die te maken hebben met tics en die zonder dat te willen obsceniteiten schreeuwen. Hoewel deze gevallen ons vaak bizar voorkomen, worden ze door Sacks' respectvolle en sympathieke wijze van vertellen diep menselij...

Whether sharing his anxieties about his writing, consoling bereaved friends, complaining about the meanness of a patron or defending himself against malicious gossip, John Donne reveals himself in his letters with a directness that can be found nowhere else in his writings. These letters corroborate the impression created by his better-known writings that he was one of the most remarkable figures produced by the English Renaissance and that he possessed an extraordinarily subtle and creati...