The Pulitzer Prize-winning view of the continent, across the fortieth parallel and down through 4.6 billion yearsTwenty years ago, when John McPhee began his journeys back and forth across the United States, he planned to describe a cross section of North America at about the fortieth parallel and, in the process, come to an understanding not only of the science but of the style of the geologists he traveled with. The structure of the book never changed, but its br...

Levels of the Game is John McPhee's astonishing account of a tennis match played by Arthur Ashe against Clark Graebner at Forest Hills in 1968.It begins with the ball rising into the air for the initial serve and ends with the final point. McPhee provides a brilliant, stroke-by-stroke description while examining the backgrounds and attitudes which have molded the players' games."This may be the high point of American sports journalism"- Robert Lips...

The long-awaited guide to writing long-form nonfiction by the legendary author and teacherDraft No. 4 is a master class on the writer’s craft. In a series of playful, expertly wrought essays, John McPhee shares insights he has gathered over his career and has refined while teaching at Princeton University, where he has nurtured some of the most esteemed writers of recent decades. McPhee offers definitive guidance in the decisions regarding arrangement, dic...

'John McPhee is celebrated in America and all but unknown in this country. The volume I love most is Coming into the Country, an account of Alaska and the Alaskans. His genius is that he can write about anything.' - Robert Macfarlane In this unforgettable and astutely observed travel account, Pulitzer Prize-winner John McPhee journeys into the wild frontiers and frigid climate of Alaska - exploring the diverse terrain of this Northern US state. Travelling by foot and canoe, helicopter and ...

Coming into the Country is an unforgettable account of Alaska and Alaskans. It is a rich tapestry of vivid characters, observed landscapes, and descriptive narrative, in three principal segments that deal, respectively, with a total wilderness, with urban Alaska, and with life in the remoteness of the bush.Readers of McPhee's earlier books will not be unprepared for his surprising shifts of scene and ordering of events, brilliantly combined into an organic whole. In the co...

While John McPhee was working on his previous book, Rising from the Plains, he happened to walk by the engineering building at the University of Wyoming, where words etched in limestone said: "Strive on--the control of Nature is won, not given." In the morning sunlight, that central phrase--"the control of nature"--seemed to sparkle with unintended ambiguity. Bilateral, symmetrical, it could with equal speed travel in opposite directions. For some years, he had been planning a boo...

Se c'è un libro in grado di dividere i lettori fra chi rischia di contrarre in una forma o nell'altra il morbo del tennis, e chi invece ne risulta immune, è questo. Dove si rivive, un punto dopo l'altro, la semifinale di Forest Hills 1968 fra Arthur Ashe e Clark Graebner – la prima disputata da un tennista nero agli albori dell'èra Open, ma anche e soprattutto la prima partita di tennis raccontata dall'interno del luogo enigmatico e fino ad allora inesplorato che il gioco abita, e spesso d...

The narratives in this book are of journeys made in three wildernesses - on a coastal island, in a Western mountain range, and on the Colorado River in the Grand Canyon. The four men portrayed here have different relationships to their environment, and they encounter each other on mountain trails, in forests and rapids, sometimes with reserve, sometimes with friendliness, sometimes fighting hard across a philosophical divide.

John McPhee's The Ransom of Russian Art is a suspenseful, chilling, and fascinating report on a covert operation like no other. It offers unprecedented insight into Soviet culture at the brink of the Union's collapse.In the 1960s and 1970s, an American professor of Soviet economics forayed on his own in the Soviet Union, bought the work of underground "unofficial" artists, and brought it out himself or arranged to have it illegally shipped to the United St...

When John McPhee returned to the island of his ancestors—Colonsay, twenty-five miles west of the Scottish mainland—a hundred and thirty-eight people were living there. About eighty of these, crofters and farmers, had familial histories of unbroken residence on the island for two or three hundred years; the rest, including the English laird who owned Colonsay, were "incomers." Donald McNeill, the crofter of the title, was working out his existence in this last domain of the feudal system; t...

The first of John McPhee's works in his series on geology and geologists, Basin and Range is a book of journeys through ancient terrains, always in juxtaposition with travels in the modern world—a history of vanished landscapes, enhanced by the histories of people who bring them to light. The title refers to the physiographic province of the United States that reaches from eastern Utah to eastern California, a silent world of austere beauty, of hundreds of discrete high mountain r...

Most people think of the American state of New Jersey as a suburban-industrial corridor that sits just west of New York City. But in the centre of the state lies a vast wilderness – larger than most national parks – which has been known since the seventeenth century as the Pine Barrens. The term refers to the predominant trees in the vast forests that cover the area and to the quality of the soils below, which are too sandy and acidic for farming. But below its soil rests a 17 trillion gal...