Tracing the evolution of socialist world literature from the nineteenth century to the present, Benjamin Kohlmann uncovers the formal repertoires through which a set of political ideals found aesthetic expression. At the heart of this study is the radical bildungsroman, a genre that subverts dominant narratives of individual formation. Broad in scope, Revolutionary Subjects explores the work of Balestrini, Chernyshevsky, Ding Ling, Lessing, Nizan, Sartre, Weiss, Wright, and many o...

Why do invocations of 'the people' carry such force in current political discourse and public debate? This book offers an ambitiously transhistorical account of the ways that 'the people' has figured in British literature and culture. Ranging from the later mediaeval period to the present, the twenty-three chapters draw on substantial new research to show that the figure of the people has been put to reactionary and progressive ends and that its meanings are less obvious and fixed than con...

Drawing on a global history of politicized writing, this book explores literature's utility as a mode of activism and aesthetic engagement with the political challenges of the current moment.The question of literature's 'uses' has recently become a key topic of academic and public debate. Paradoxically, however, these conversations often tend to bypass the rich history of engagements with literature's distinctly political uses that form such a powerful cur...

British Literature and the Life of Institutions charts a literary prehistory of the welfare state in Britain around 1900, but it also marks a major intervention in current theoretical debates about critique and the dialectical imagination. By placing literary studies in dialogue with political theory, philosophy, and the history of ideas, the book reclaims a substantive reformist language that we have ignored to our own loss. This reformist idiom made it possible to imagine the st...

"Money is what God used to be. Good and evil have no meaning any longer except failure and success." Disgusted by society's materialism, Gordon Comstock leaves his job in advertising to pursue an ill-fated career as a poet. In his race to the bottom, only Rosemary, his long-suffering girlfriend, challenges Gordon's self-destructive course. The novel contains the most sustained reflections on the role of the author and the artistic imagination anywhere in Orwell's fiction, ...

This History offers a new and comprehensive picture of 1930s British literature. The '30s have often been cast as a literary-historical anomaly, either as a 'low, dishonest decade', a doomed experiment in combining art and politics, or as a 'late modernist' afterthought to the intense period of artistic experimentation in the 1920s. By contrast, the contributors to this volume explore the contours of a 'long 1930s' by repositioning the decade and its characteristic concerns at the heart of...

Offering the first book-length consideration of Edward Upward (1903-2009), one of the major British left-wing writers, this collection positions his life and works in the changing artistic, social and political contexts of the twentieth and early twenty-first centuries. Upward’s fiction and non-fiction, from the 1920s onwards, illustrate the thematic and formal richness of left-wing writing during the twentieth-century age of extremes. At the same time, Upward’s work shows the inherent ten...

In this book Herbert Marcuse makes clear that capitalism is now reorganizing itself to meet the threat of a revolution that, if realized, would be the most radical of revolutions: the first truly world-historical revolution. Capitalism's counterrevolution, however, is largely preventive, and in the Western world altogether preventive. Yet capitalism is producing its own grave-diggers, and Marcuse suggests that their faces may be very different from those of the wretched of the earth.

In the last decade, we have witnessed the return of one of the most controversial terms in the political lexicon: totalitarianism. What are we talking about when we define a totalitarian political and social situation? When did we start using the word as both adjective and noun? And, what totalitarian ghosts haunt the present?Philosopher Simona Forti seeks to answer these questions by reconstructing not only the genealogy of the concept, but also by clarifying its motives, misunder...

A pathbreaking exploration of the fate of utopia in our troubled times, this book shows how the historically intertwined endeavors of utopia and critique might be leveraged in response to humanity's looming existential challenges.Utopia in the Age of Survival makes the case that critical social theory needs to reinstate utopia as a speculative myth. At the same time the left must reassume utopia as an action-guiding hypothesis—that is, as something still possible. S. D. Ch...

In The Sovereign Self, Grant H. Kester examines the evolving discourse of aesthetic autonomy from its origins in the Enlightenment through avant-garde projects and movements in the nineteenth and twentieth centuries. Kester traces the idea of aesthetic autonomy—the sense that art should be autonomous from social forces while retaining the ability to reflect back critically on society—through Kant, Schiller, Hegel, Marx, and Adorno. Kester critiques the use of aesthetic autonomy as...

This book presents for the first time the correspondence during the years 1954 to 1978 between the Marxist-Humanist and feminist philosopher Raya Dunayevskaya (1910-87) and two other noted thinkers, the Hegelian Marxist philosopher and social theorist Herbert Marcuse (1898-1979) and the psychologist and social critic Erich Fromm (1900-80), both of the latter members of the Frankfurt School of Critical Theory. In their introduction, editors Kevin B. Anderson and Russell Rockwell focus on th...