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Showing results for "derek kompare"

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Showing 1 - 4 of 4 Results

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2019

EN

Television History, the Peabody Archive, and Cultural Memory is the first edited volume devoted to the Peabody Awards Collection, a unique repository of radio and TV programs submitted yearly since 1941 for consideration for the prestigious Peabody Awards. The essays in this volume explore the influence of the Peabody Awards Collection as an archive of the vital medium of TV, turning their attention to the wealth of programs considered for Peabody Awards that were not honored and ...

PHP5,768.39

Making Media Work

Cultures of Management in the Entertainment Industries

2014

EN

In popular culture, management in the media industry is frequently understood as the work of network executives, studio developers, and market researchers—“the suits”—who oppose the more productive forces of creative talent and subject that labor to the inefficiencies and risk aversion of bureaucratic hierarchies. However, such portrayals belie the reality of how media management operates as a culture of shifting discourses, dispositions, and tactics that create meaning, generate value, an...

PHP1,218.39

Rerun Nation

How Repeats Invented American Television

2006

EN

Accessible

Rerun Nation is a fascinating approach to television history and theory through the ubiquitous yet overlooked phenomenon of reruns. Kompare covers both historical and conceptual ground, weaving together a refresher course in the history of television with a critical analysis of how reruns have shaped the cultural, economic, and legal terrains of American television. Given the expanding use of past media texts not only in the United States, but also in virtually every media-rich so...

PHP3,263.78

Making Media Work

Cultures of Management in the Entertainment Industries

2014

EN

The management and labor culture of the entertainment industry.In popular culture, management in the media industry isfrequently understood as the work of network executives, studio developers, andmarket researchers—“the suits”—who oppose the more productive forces ofcreative talent and subject that labor to the inefficiencies and risk aversionof bureaucratic hierarchies. However, such portrayals belie the realityof how media manag...

PHP1,678.89

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The Vanity Fair Diaries

Power, Wealth, Celebrity, and Dreams: My Years at the Magazine That Defined a Decade


2017

EN

Named one of the best books of 2017 by Time, People, The Guardian, Paste Magazine, and Vogue"A zingy account of the glittery, shallow 1980s . . . Brown is a waspish, reliably slick writer—her witty skewerings are first-class.” —The Times (London)Tina Brown kept delicious daily diaries throughout her eight spectacular years as editor-in-chief of Vanity Fair. Today they provide an ...

PHP722.19

Googled

The End of the World As We Know It


2009

EN

Accessible

A revealing, forward-looking examination of the outsize influence Google has had on the changing media Landscape.There are companies that create waves and those that ride or are drowned by them. As only he can, bestselling author Ken Auletta takes readers for a ride on the Google wave, telling the story of how it formed and crashed into traditional media businesses?from newspapers to books, to television, to movies, to telephones, to advertising, to Microsoft. With...

PHP306.99


2011

EN

Spread your message instantly and easily—even on a shoestring budget“In a world that seems to be overpopulated with social media experts, Heather is the real thing. Her passion and intuition have made her an invaluable resource to the nonprofit community.”—Danielle Brigida, digital marketing manager, National Wildlife Federation“For over 10 years Heather has been my primary reference point for all things pertaining to online communit...

PHP1,322.09


2011

EN

William Randolph Hearst was a man of mythical proportions and staggering contradictions. And he was a fascinating character so much so that he appears in various fictional works from John Steinbeck's "Grapes of Wrath" and F. Scott Fitzgerald's "The Last Tycoon" to Orson Welles' "Citizen Kane" as if his life was not sufficiently bizarre in its own right. At its peak Hearst's media empire included 28 leading newspapers from the San Francisco Examiner to the New York Journal ...

PHP174.29


2013

EN

A book that reveals some of the most starkly startling stories beyond the headlines about the mysterious deaths of Hollywood stars during the early development of the film industry. Read about:Part One: The Fatty Arbuckle Rape CasePart Two: The William Desmond Taylor Murder CasePart Three: The Infant Husband in Jean Harlow's LifePart Four: The Thelma Todd Murder ScandalPart Five: Lana Turner's Fight with Her DaughterPart Six: The Rise and Fal...

PHP408.05

2011

EN

A Story is a Promise offers a clear, concise look into the mechanics of how to tell a story and how a story engages and rewards the attention of an audience. Examples are used from popular books, movies, and plays, including a scene by scene breakdown of Shakespeare's Romeo and Juliet and reviews of The Usual Suspects and the novel The Lovely Bones, which includes a story diagram to help new authors to understand how to plot a story.The Spirit of Storytelling focuses on how writers...

PHP174.29

2016

EN

Today, Fleet Street is just a term for the newspaper business. But not so long ago it was a real place. Each paper had its own favourite pubs, its own extraordinary characters, and its own stock of legendary tales about the triumphs and disasters that had befallen friends and enemies. It was the Street of Dreams; the Street of Adventure; the Street of Disillusion and, in the end, sadly, the Street of Profits. But once upon a time it was a place of magic.Mike Molloy began in Fleet St...

PHP357.39

Page One

Inside The New York Times and the Future of Journalism

2011

EN

The news media is in the middle of a revolution. Old certainties have been shoved aside by new entities such as WikiLeaks and Gawker, Politico and the Huffington Post. But where, in all this digital innovation, is the future of great journalism? Is there a difference between an opinion column and a blog, a reporter and a social networker? Who curates the news, or should it be streamed unimpeded by editorial influence?Expanding on Andrew Rossi's "riveting" film (

PHP524.69