This collection includes over 70 compositions from the Renaissance presented as melodies with accompanying chord changes. This simple format makes the material suitable for flute. The music includes some well-known Renaissance melodies such as "Greensleeves" and "La Folias", along with rarer dance pieces and song melodies. Some of these melodies come from as early as the 1400s and others as late as the 1600s. The music in this book is excellent for flutists looking to expand their repertoi...

These mandolin duet arrangements from J. S. Bach's music are drawn from several sources. Most are arrangements of keyboard pieces from The Anna Magdalena Notebook, English and French Suites, Two Part Inventions, and some miscellaneous keyboard pieces. Some of these are duet arrangements of music originally intended for solo violin or lute. The duets range in difficulty from easy to advanced. While these are arrangements for two mandolins, any two concert pitch instruments can play...

The Contra Dance Encyclopedia is a handbook for musicians who want to play for contra dances. Music from American fiddle tunes to the Irish tradition are presented in sets suitable for playing for dances (as well as sessions, concerts, and other gigs). There is also an extensive section of tunes grouped into Reels, Jigs, and Waltzes that can be used. Included is a short history of contra dance, as well as ideas on putting together a dance band. Instrumental and stylistic techniques for gui...

This collection includes over 70 compositions from the Renaissance presented as melodies with accompanying chord changes. This simple format makes the material suitable for any C melody instrument and/or any instrument that can play chord changes. The music includes some well-known Renaissance melodies such as "Greensleeves" and "La Folias", along with rarer dance pieces and song melodies. Some of these melodies come from as early as the 1400s and others as late as the 1600s. The music in ...

Most of the music in this book comes from editions or manuscripts from England in the late 1500ΓÇÖs. There are also a few French pieces. The cittern was popular in Italy, England and France. Aside from various tunings, there were two main kinds of instruments being played during the 16th and 17th centuries: the 4 course (four sets of doubled strings), and the 6 course cittern with several editions of music to go along with both. The pieces I have chosen for this book were all written for t...