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Aesthetic Resistance and Dis-interest
That Which Will Not Allow Itself to Be Said
2016
EN
The collusion of galleries, collectors and curators, following the model of studio film and network TV, has equated popularity with quality. The problem then is to recuperate something of the lost radical conscience of art and culture.Art is a recreation of our own psychic formation (mimesis) as well as being shaped by its ‘otherness’ and by history. All stories are crime stories, all stories are about exile, and all stories are about homesickness. And all art contains a narrative. Radical...
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Aesthetic Theory
Essential Texts for Architecture and Design
2011
EN
A collection of pivotal ideas about beauty from throughout history, with an introduction and critical headnotes.This collection of writings on beauty includes selections from twenty key philosophers and theoreticians spanning two millennia:Plato • Aristotle • Vitruvius • Alberti • Kant • Burke • Fiedler • Nietzsche • Wilde • Bergson • Bell • Scott • Benjamin • Bataille • Sontag • Jameson • Scarry • Nehamas • Zangwill • Freedberg and GalleseWith an i...
PHP1,194.09
2010
EN
“If good design tells the truth,” writes Robert Grudin in this path-breaking book on esthetics and authority, “poor design tells a lie, a lie usually related . . . to the getting or abusing of power.”From the ornate cathedrals of Renaissance Europe to the much-maligned Ford Edsel of the late 1950s, all products of human design communicate much more than their mere intended functions. Design holds both psychological and moral power over us, and these forces may be manipulated, ho...
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- Translated by
- Philip Armstrong
2013
EN
The renowned philosopher contemplates the medium of drawing in "a book full of dazzling insights, imaginative curves and provocative renewals" (Sarah Clift, University of King's College).In 2007, philosopher Jean-Luc Nancy curated an exhibition at the Museum of Fine Arts in Lyon. This book, originally written for that exhibition, explores the interplay between drawing and form—viewing the act of drawing as a formative force. Recalling that the terms 'drawing' and '...
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or Free with Kobo PlusThe Body and the Screen
Female Subjectivities in Contemporary Women’s Cinema
- Series -
- Thinking Cinema
2017
EN
Winner of the British Association of Film, Television and Screen Studies Best Book Prize 2018Since the 1980s the number of women regularly directing films has increased significantly in most Western countries; in France, Claire Denis and Catherine Breillat have joined Agnès Varda in gaining international renown, while British directors Lynne Ramsay and Andrea Arnold have forged award-winning careers in feature film. This new volume in the “Thinking Cinema” series d...
PHP2,384.89
2016
EN
R. G. Collingwood’s disquisition is a pioneering academic work on the philosophy of art.The Principles of Art was first published in 1923. This prolific philosophical essay argues various theories regarding the doctrine of art, the meaning and uses of the word itself, and the psychological theories behind artistic practices. R. G. Collingwood addresses Plato’s Republic, which is often thought of as a renunciation of art, and he suggests that the work is no...
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or Free with Kobo PlusRousseau Among the Moderns
Music, Aesthetics, Politics
2015
EN
Renowned for his influence as a political philosopher, a writer, and an autobiographer, Jean-Jacques Rousseau is known also for his lifelong interest in music. He composed operas and other musical pieces, invented a system of numbered musical notation, engaged in public debates about music, and wrote at length about musical theory. Critical analysis of Rousseau’s work in music has been principally the domain of musicologists, rarely involving the work of scholars of political theory or lit...
PHP1,731.39
- Series -
- Object Lessons
2016
EN
Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things.Every shelf is different and every bookshelf tells a different story. One bookshelf can creak with character in a bohemian coffee shop and another can groan with gravitas in the Library of Congress. Writer and historian Lydia Pyne finds bookshelves to be holders not just of books but of so many other things: values, vibes, and verbs that can be contained and displayed ...
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The Topological Imagination
Spheres, Edges, and Islands
2016
EN
Boldly original and boundary defining, The Topological Imagination clears a space for an intellectual encounter with the shape of human imagining. Joining two commonly opposed domains, literature and mathematics, Angus Fletcher maps the imagination’s ever-ramifying contours and dimensions, and along the way compels us to re-envision our human existence on the most unusual sphere ever imagined, Earth.Words and numbers are the twin powers that create value in our world. Poet...
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Repetition and Identity
The Literary Agenda
- Series -
- Literary Agenda
2013
EN
The Literary Agenda is a series of short polemical monographs about the importance of literature and of reading in the wider world and about the state of literary education inside schools and universities. The category of 'the literary' has always been contentious. What is clear, however, is how increasingly it is dismissed or is unrecognised as a way of thinking or an arena for thought. It is sceptically challenged from within, for example, by the sometimes rival claims of cultural histor...
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- by
- Plato
- Series -
- Greek Philosophy
2013
EN
Crito (Ancient Greek: Κρίτων [krítɔːn]; in English usually /ˈkraɪːtoʊ/ KRY-toh, also /ˈkriːtoʊ/ KREE-toh) is a short but important dialogue by the ancient Greek philosopher Plato. It is a conversation between Socrates and his wealthy friend Crito regarding justice (δικη), injustice (αδικια), and the appropriate response to injustice. Socrates thinks that injustice may not be answered with injustice, and refuses Crito's offer to finance his escape from prison. This dialogue contains an anci...
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Receptive Spirit
German Idealism and the Dynamics of Cultural Transmission
2016
EN
Premised on the assumption that the mind is fundamentally active and self-determining, the German Idealist project gave rise to new ways of thinking about our dependence upon culturally transmitted models of thought, feeling, and creativity. Receptive Spirit elucidates the ways in which Kant, Fichte, Schlegel, and Hegel envisioned and enacted the conjunction of receptivity and spontaneous activity in the transmission of human-made models of mindedness. Their innovations have defined the ve...
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