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Showing results for "mitchell b merback"

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The Thief, the Cross and the Wheel

Pain and the Spectacle of Punishment in Medieval and Renaissance Europe

2013

EN

When spectators in the Middle Ages examined images of Christ's crucifixion on Mount Calvary, did they ever consider them as representations of capital punishment? In The Thief, the Cross and the Wheel Mitchell Merback contends that they did, and traces out the extraordinary connections between religious devotion, bodily pain, criminal justice and judicial spectatorship to explain why this was so.The author’s focus is not on the crucified Christ as he was represented in alt...

PricePHP2,045.29

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2011

EN

A centuries-old conspiracy is about to explode into the present with devastating consequences.The first victim was forced to swallow stones. The second was whipped to death. The third was stabbed in the heart.A deadly serial killer is taking people down across London and New York. What did they all know? Why were they butchered? Who else is in the killer's sights? And how can they be stopped?Inspired by real events in the artist's life, The Rembrandt Secret is an in...

PricePHP692.79

Rome

A Cultural, Visual, and Personal History


2011

EN

From Robert Hughes, one of the greatest art and cultural critics of our time, comes a sprawling, comprehensive, and deeply personal history of Rome—as city, as empire, and, crucially, as an origin of Western art and civilization, two subjects about which Hughes has spent his life writing and thinking.Starting on a personal note, Hughes takes us to the Rome he first encountered as a hungry twenty-one-year-old fresh from Australia in 1959. From that exhilarating portrait, he takes us...

PricePHP530.09

2011

EN

For Claude Monet the designation ‘impressionist’ always remained a source of pride. In spite of all the things critics have written about his work, Monet continued to be a true impressionist to the end of his very long life. He was so by deep conviction, and for his Impressionism he may have sacrificed many other opportunities that his enormous talent held out to him. Monet did not paint classical compositions with figures, and he did not become a portraitist, although his professional tra...


2011

EN

Painter, designer, creator of bizarre objects, author and film maker, Dalí became the most famous of the Surrealists. Buñuel, Lorca, Picasso and Breton all had a great influence on his career. Dalí's film, An Andalusian Dog, produced with Buñuel, marked his official entry into the tightly-knit group of Parisian Surrealists, where he met Gala, the woman who became his lifelong companion and his source of inspiration. But his relationship soon deteriorated until his final rift with André Bre...

2013

EN

Diego Rodríguez de Silva y Velázquez (June 1599 – August 6 1660), known as Diego Vélasquez, was a painter of the Spanish Golden Age who had considerable influence at the court of King Philip IV. Along with Francisco Goya and Le Greco, he is generally considered to be one of the greatest artists in Spanish history. His style, whilst remaining very personal, belongs firmly in the Baroque movement. Velázquez’s two visits to Italy, evidenced by documents from that time, had a strong effect on ...


2015

EN

Sandro Botticelli and Simonetta Vespucci depend upon one another for their fame in many respects. The Genoan beauty who came to Florence as a teenager was the subject of many of Botticelli's paintings, including his masterpiece, The Birth of Venus. Had there been no Simonetta Botticelli might have ended up with lesser fame as did Ghirlandaio, his contemporary. Likewise, if not for Sandro Botticelli Simonetta might have been only a footnote in the Medici era history of Florence. Both Medici...

PricePHP223.52

Post-Impressionism

Beyond Impressionism: bold colors and new forms


2023

EN

Whilst Impressionism marked the first steps toward modern painting by revolutionising an artistic medium stifled by academic conventions, Post-Impressionism, even more revolutionary, completely liberated colour and opened it to new, unknown horizons. Anchored in his epoch, relying on the new chromatic studies of Michel Eugène Chevreul, Georges Seurat transcribed the chemist’s theory of colours into tiny points that created an entire image. With his heavy strokes, Van Gogh illustrated the m...

The Noisy Renaissance

Sound, Architecture, and Florentine Urban Life

2016

EN

From the strictly regimented church bells to the freewheeling chatter of civic life, Renaissance Florence was a city built not just of stone but of sound as well. An evocative alternative to the dominant visual understanding of urban spaces, The Noisy Renaissance examines the premodern city as an acoustic phenomenon in which citizens used sound to navigate space and society.Analyzing a range of documentary and literary evidence, art and architectural historian Niall Atkins...

PricePHP2,217.49

2013

EN

Have you ever wanted to know more about the Flemish painter named Jan van Eyck?Are you writing a research paper about him, or are just curious as to what some of his most famous paintings are?If these questions peak your interest, then this book is for you! Over 1500 words all about the 15th century Flemish oil painter flowing out of this book.This book includes when he was born, what he was known for, who employed him, and what made him famous.

PricePHP167.50

Color in the Age of Impressionism

Commerce, Technology, and Art

2017

EN

This study analyzes the impact of color-making technologies on the visual culture of nineteenth-century France, from the early commercialization of synthetic dyes to the Lumière brothers’ perfection of the autochrome color photography process. Focusing on Impressionist art, Laura Anne Kalba examines the importance of dyes produced in the second half of the nineteenth century to the vision of artists such as Edgar Degas, Pierre-Auguste Renoir, and Claude Monet.The proliferation of v...

PricePHP1,936.69

Re-membering Masculinity in Early Modern Florence

Widowed Bodies, Mourning and Portraiture

2017

EN

From Pliny to Petrarch to Pope-Hennessy and beyond, many have understood the obvious connection between portraiture and commemorative practice. This book expands and nuances our understanding of Renaissance portraiture; the author shows it to be complexly generated within a discourse of male anxiety and pre-mortuary mourning. She argues that portraiture could defer memory loss or, at the very least, pictorially console the subject against his own potentially unmourned death. This book reco...

PricePHP4,893.39