In his classic sequence of films, Patrick Keiller retraces the hidden story of the places where we live, the cities and landscapes of our everyday lives. This collection explores the surrealist perception of the city; the relationship of architecture to film; how cities change over time, as well as an urgent portrait of post-crash Britain. The View from the Train establishes Keiller as one of the most perceptive writers and thinkers about the city, landscape and politics.

The metropolis is a site of endless making and unmaking. From the attempt to imagine a 'city-symphony' to the cinematic tradition that runs from Walter Ruttmann to Terence Davies, Restless Cities traces the idiosyncratic character of the metropolitan city from the nineteenth century to the twenty-first-century megalopolis. With explorations of phenomena including nightwalking, urbicide, property, commuting and recycling, this wide-ranging new book identifies and traces the pattern...

“One of the finest writers of the new nonfiction” (Harper’s Bazaar) explores the role of art in our tumultuous modern era.In this remarkable, inspiring collection of essays, acclaimed writer and critic Olivia Laing makes a brilliant case for why art matters, especially in the turbulent political weather of the twenty-first century.Funny Weather brings together a career’s worth of Laing’s writing about art and culture, examining their role ...

'Generous, enjoyable and well informed.' Observer**'500 expertly potted plots and personal comments on a wide range of pop and proper prose fiction.' The Times___________________________________________________________Ranging all the way from Aaron's Rod to Zuleika Dobson, via The Devil Rides Out and Middlemarch, literary connoisseur and sleuth John Sutherland offers his very pers...

The central argument of Chromophobia is that a chromophobic impulse – a fear of corruption or contamination through colour – lurks within much Western cultural and intellectual thought. This is apparent in the many and varied attempts to purge colour, either by making it the property of some ‘foreign body’ – the oriental, the feminine, the infantile, the vulgar, or the pathological – or by relegating it to the realm of the superficial, the supplementary, the inessential, or the cosmetic.

From the author of The Bad Book Affair comes a witty, personal, and entertaining meditation on the history and significance of paper—an international cultural study and a series of personal reflections on the meaning of this essential product.Let us suppose for a moment that paper were to disappear. Would anything be lost? Everything would be lost.Paper surrounds us. Not only as books, letters and diaries, but as beer mats and birth certificates, board games and business ca...

We all have a story to tell - whether it is a story of a migrant childhood, a difficult past, adopting a child, riding a bike across India, or simply a contemplative year in a garden. With these stories we make sense of ourselves and the world around us.Memoir - writing about an aspect of a life rather than a whole life - expresses and shapes these stories within us so that the writing becomes more than a record, it becomes a creative journey.Drawing on Patti's extensive te...

"Acclaimed British novelist Hensher . . . provides a droll and eclectic tour of handwriting history" — Booklist ."Rediscover the joys of writing. . . . Like a charming dinner guest, [Hensher] brims with fun facts, good humor and amusing reminiscences . . . [He] enlivens his musings about penmanship's demise with sharp insights and wry wit." ― The New York Times Book Review...

Imagine a type of writing so hard to define its very name means a trial, effort or attempt. An ancient form with an eye on the future, a genre poised between tradition and experiment. The essay wants above all to wander, but also to arrive at symmetry and wholeness; it nurses competing urges to integrity and disarray, perfection and fragmentation, confession and invention.How to write about essays and essayists while staying true to these contradictions? Essayism is a perso...

In an era of brash, expensive, provocative new buildings, a prominent critic argues that emotions—such as hope, power, sex, and our changing relationship to the idea of home—are the most powerful force behind architecture, yesterday and (especially) today.We are living in the most dramatic period in architectural history in more than half a century: a time when cityscapes are being redrawn on a yearly basis, architects are testing the very idea of what a building is, and whole citi...

What is pretentiousness? Why do we despise it? And more controversially: why is it vital to a thriving culture? In this brilliant, passionate essay, Dan Fox argues that it has always been an essential mechanism of the arts, from the most wildly successful pop music and fashion through to the most recondite avenues of literature and the visual arts. Pretentiousness: Why it Matters unpacks the uses and abuses of the term, tracing its connections to theatre, politics and class. From ...

A witty, personal and entertaining reflection on the history and meaning of paper during the (passing) era of its universal importance.Paper serves nearly every function of our lives. It is the technology with which we have made sense of the world.Yet the age of paper is ending. Ebooks now outsell their physical counterparts. Still, there are some uses of paper that seem unlikely to change – Christmas won’t be Christmas without wrapped presents or crackers. And the language...