A compelling ode to the essay form and the great essaysists themselves, from Montaigne to Woolf to Sontag.Essayism is a book about essays and essayists, a study of melancholy and depression, a love letter to belle-lettrists, and an account of the indispensable lifelines of reading and writing. Brian Dillon’s style incorporates diverse features of the essay. By turns agglomerative, associative, digressive, curious, passionate, and dispassionate, his is a br...

Boldly combining the highly personal with the brilliantly scholarly, In the Dark Room explores the question of how memory works emotionally and culturally. It is narrated through the prism of the author's experience of losing both his parents, his mother when he was sixteen, his father when he was on the cusp of adulthood and of trying, after a breakdown some years later, to piece things together. Drawing on the lessons of centuries of literature, philosophy and visual art, Dillon...

A coming-of-age memoir set in late-twentieth-century Dublin, recounting writer and critic Brian Dillon's first encounters with pivotal writers in his life—Virginia Woolf, Samuel Beckett, Walter Benjamin, and others—and in the process arguing for the transformative power of art, literature, and learning.When Brian Dillon was sixteen his mother died, and he stopped caring about school. While he courted failure, his real education was going on elsewhere: with books, m...

A captivating meditation on the power of the sentence by the author of Essayism, a 2018 New Yorker book of the year.In Suppose a Sentence, Brian Dillon, whom John Banville has called “a literary flâneur in the tradition of Baudelaire and Walter Benjamin,” has written a sequel of sorts to Essayism, turning his attention to the oblique and complex pleasures of the sentence. A series of essays prompted by a single sentence—from Shak...

A meditation on the power and pleasures of the image, from paintings to photographs to migraine auras, by one of Britain's finest literary minds.In Affinities, Brian Dillon, who Joyce Carol Oates has said writes “fascinating prose . . . on virtually any subject,” explores images and artists he is drawn to and analyzes the attraction. What does it mean to claim affinity with a picture? What do feelings of affinity imply about the experience of art and of th...

A witty and thought-provoking collection of visual poems constructed from stacks of books.Delighting in the look and feel of books, conceptual artist Nina Katchadourian's playful photographic series proves that books' covers—or more specifically, their spines—can speak volumes. Over the past two decades, Katchadourian has perused libraries across the globe, selecting, stacking, and photographing groupings of two, three, four, or five books so that their titles can ...

"An intriguing, suavely written blend of medical history and literary criticism . . .adds to the growing . . . field of pathological biography." —Heller McAlpin, Los Angeles TimesCharlotte Brontë found in her illnesses, real and imagined, an escape from familial and social duties, and the perfect conditions for writing. The German jurist Daniel Paul Schreber believed his body was being colonized and transformed at the hands of God and doc...

This title was first published in 2000: A study of the diffusion and effective use of ICT in industry in Hungary, Poland, Lithuania and Ukraine. It explores quantitative and qualitative overviews of the current state of affairs with respect to computer-networking in industry, and examines prospects and obstacles.

Blackstone's Emergency Planning, Crisis, and Disaster Management is a practical guide for those involved in all aspects of emergency preparedness, resilience, and response. Primarily focused on the requirements of the Civil Contingencies Act 2004, it has been developed from the highly regarded Emergency Planning Officers' Handbook. The complete toolkit for anyone involved in emergency planning, business continuity, and resilience management, this must-have guide offers a...

When Brian Dillon was sixteen his mother died and he simply gave up all schoolwork. While he courted exam failure, his real education was going on elsewhere: with books, music, films and television. When at last he made it to university, his head was already full of avant-garde writing, art and ideas. Could academia live up to the hopes and dreams he had invested in it? Halfway through college his father died, and the stakes of reading and writing seemed even higher. Ambivalence explores w...

Charlotte Brontë found in her illnesses, real and imaginary, an escape from familial and social duties and the perfect conditions for writing. The German jurist Daniel Paul Schreber believed his body was being colonized and transformed at the hand of God and doctors alike. Andy Warhol was terrified by disease and by the idea of disease. Glenn Gould claimed a friendly pat on his shoulder had destroyed his ability to play piano. And we all know someone who has, in solitude, trawled the Inter...

A captivating meditation on the power of the sentence by the author of Essayism, a 2018 New Yorker book of the year.In Suppose a Sentence, Brian Dillon, whom John Banville has called "a literary flâneur in the tradition of Baudelaire and Walter Benjamin," has written a sequel of sorts to Essayism, turning his attention to the oblique and complex pleasures of the sentence. A series of essays prompted by a single sentence—from Shak...