Daniel Snowman is a social and cultural historian. His latest book is a collection of some of the more provocative essays he has published over many decades that examine how we use and abuse ‘history’.If the past is everything that has ever happened, he asks, why does what we call ‘history’ keep changing? What (or who) causes historical change? Could aspects of the past itself have been different? What do we choose to retain as our ‘heritage’ and why? Are ‘the arts’ part of history ...

Fascinating and highly readable, this is the definitive social history of the world's most romantic, flamboyant, glamorous, and politically influential art-form: operaFrom its beginnings in the Renaissance cities of northern Italy opera has permeated through Europe, America, and beyond, becoming a global business in the digital age. This history unwraps the story of opera from the charm and chaos of Mozart's Vienna to Frederick the Great's Berlin. It covers the lur...

Giuseppe Verdi (1813–1901) was the Shakespeare of opera, the composer of Rigoletto, Il Trovatore, La Traviata, Aida and Otello. The Chorus of Hebrew slaves from Nabucco (1842) is regarded in Italy as virtually an alternative national anthem – and the great tragedian rounded off his career fifty years later with a rousing comedy, Falstaff.When Verdi was born, much of northern Italy was under Napoleonic rule, and Verdi grew up drea...