Revisits Australian rock band silverchair's globally successful debut album Frogstomp (1995) and asserts that the band is not an imitation of American grunge nor an emblem of Gen X angst.Frogstomp transformed Australian rockers silverchair from an(other) unknown teen garage band to an internationally popular rock outfit. The album was released in 1995 and became a global sensation. Due to silverchair's grunge aesthetic, the band's success has ofte...

Fake News in Digital Cultures presents a new approach to understanding disinformation and misinformation in contemporary digital communication, arguing that fake news is not an alien phenomenon undertaken by bad actors, but a logical outcome of contemporary digital and popular culture, conceptual changes meaning and truth, and shifts in the social practice of trust, attitude and creativity.Looking not to the problems of the present era but towards the continuing developmen...

This book provides an introduction to digital media content production in the twenty-first century. It explores the kinds of content production that are undertaken in professions that include journalism, public relations and marketing. The book provides an insight into content moderation and addresses the legal and ethical issues that content producers face, as well as how these issues can be effectively managed. Chapters also contain interviews with media professionals, and quizzes that a...

In her nuanced, extremely perceptive book, Laina Dawes champions the liberating possibilities of metal while questioning the color-blindness of the metal world, celebrating the role of black women in creating rock music, examining the reaction of the black community to black punks and metalheads, and sorting out the gender issues that complicate sisterhood in a male-dominated sphere. Her thoughtful treatise on the power of music and identity challenges black women in the metal scene to joi...

Social media penetrate our lives: Facebook, YouTube, Twitter and many other platforms define daily habits of communication and creative production. This book studies the rise of social media, providing both a historical and a critical analysis of the emergence of major platforms in the context of a rapidly changing ecosystem of connective media. Author Jose van Dijck offers an analytical prism that can be used to view techno-cultural as well as socio-economic aspects of this transformation...

The story of the life and music of this pop superstar and a kaleidoscopic window into fame, homophobia, the 80s and 90s, creative genius, addiction, and why the love for George Michael has only grown in the years since his tragic death on Christmas Day 2016.There is no shortage of earnest books about the cultural significance of musicians like David Bowie, Bob Dylan, and John Lennon. But George Michael does not attract such attention. The music he produced is not g...

Why do we no longer trust facts, experts and statistics? In this essential guide to the turbulent times in which we live, Marcus Gilroy-Ware investigates our era of post-truths and fake news and answers the question of where we can go from here.We are supposed to have more information at our disposal now than at any time in history. So why, in a world of rising sea levels, populist leaders, resurgent fascism and a global pandemic, do so many people believe bizarre ...

Filling The Void is a book about how the cultures and psychology of social media use fit within a broader landscape of life under capitalism. It argues that social media use is often a psychological response to the need for pleasure and comfort that results from the stresses of life under postmodern capitalism, rather than being a driver of new behaviours as newer technologies are often said to be. Both the explosive growth of social media and the corresponding reconfiguration of the web f...

Women write about their experiences of loving music that doesn’t love them back – a feminist 'guilty pleasures'.e - a kind of feminist guilty pleasures.In the majority of mainstream writing and discussions on music, women appear purely in relation to men as muses, groupies or fangirls, with our own experiences, ideas and arguments dismissed or ignored. But this hasn’t stopped generations of women from loving, being moved by and critically appreciating music, even – and sometimes es...

How social networks, the personalized Internet, and always-on mobile connectivity are transforming—and expanding—social life.Daily life is connected life, its rhythms driven by endless email pings and responses, the chimes and beeps of continually arriving text messages, tweets and retweets, Facebook updates, pictures and videos to post and discuss. Our perpetual connectedness gives us endless opportunities to be part of the give-and-take of networking.Some...

Australia likes to celebrate its musical heritage, but there are so many stories that haven't been told.'Andrew tells us things about the songs that we might not know and things about the songs that no one should ever know. He does it with intelligence and humour, not to mention an acid wit.' - Jimmy BarnesWhich band is Australia's premier act for drunk men to hug to? Which dance floor smash owes its existence to an elderly Canadian stand-up team? How does ...

YouTube is one of the most well-known and widely discussed sites of participatory media in the contemporary online environment, and it is the first genuinely mass-popular platform for user-created video. In this timely and comprehensive introduction to how YouTube is being used and why it matters, Burgess and Green discuss the ways that it relates to wider transformations in culture, society and the economy.The book critically examines the public debates surrounding the site, demons...