This "expert and elegantly written" book reveals how dealers have been a major force in art history from the Renaissance to the avant garde ( The Guardian, UK).Philip Hook's riveting narrative takes us from the early days of art dealing in Antwerp, where paintings were sold by weight, to the unassailable hauteur of contemporary galleries in New York, London, Paris, and beyond. Along the way, we meet a surprisingly wide-ranging cast of characters—from tailor...

"A witty journey through the wonderfully tumultuous world of art dealers and markets—organized in the style of a dictionary, complete with a glossary." — InterviewTwo questions are key to experiencing a work of art in a museum or exhibition: 1.) Do I like it? 2.) Who's it by? You need quite a few more questions if you're in an auction room or dealer's gallery, however. You'll find yourself asking, How much is it worth? How much will it be worth in five or ...

Philip Hook returns to fiction in this collection of short stories. Many are set in the art world, of which the author has deep inside knowledge. Others are about cricket, football, war, espionage and marriage. Some are funny, some are moving, some are surreal. All of them are compulsive reading.

A revelatory, fast-paced account of the most exciting, frenzied, and revolutionary decade in art history—1905 to the dawn of World War I in 1914—and the avant-garde artists who indelibly changed our visual landscapeModern begins on a specific day—March 22, 1905—at a specific place: the Salon des Indépendants in Paris, where works of art we recognize as modern were first exhibited. Drawing on his forty five-year fine art career, author Philip Hook illuminat...

In 1892 Degas' painting In the Café was sold for a mere 180 guineas at auction, with the public hissing as the hammer fell. Less than a century later another Impressionist work, Renoir's Moulin de la Galette, sold at Sotheby's for $78 million, accompanied by enthusiastic applause. In this history-cum-memoir Philip Hook, Senior Director of Sotheby's Impressionist and Modern Art department, examines the public's change of heart toward Impressionism. Starting with its shocking novelty and con...

Here for the first time is the history of art dealers, those extraordinary men and women who, over centuries (and almost entirely out of the public eye), built their profession on a singular skill: identifying the intangible but infinitely desirable qualities that characterize the greatest works of art—and finding clients for whom those qualities are irresistible.Philip Hook's riveting narrative takes us from the early days of art dealing in Antwerp, where paintings were sold by we...

Modern begins on a specific day—March 22, 1905—at a specific place: the Salon des Indépendants in Paris, where works of art we recognize as modern were first exhibited. Drawing on his forty five-year fine art career, author Philip Hook illuminates how this new art came to be—and how truly shocking it was.We witness movement upon movement that burst forth in dizzying succession: Fauvism, Expressionism, Primitivism, Symbolism, Cubism, Futurism, and Abstract art. His vivid ac...

As gentrification encroaches on historic Harlem, Rona Jaffe Foundation Writer's Award recipient Sharifa Rhodes-Pitts untangles the myth and meaning of its storied legacy. Drawing on Harlem's history and her own observations, Rhodes-Pitts introduces a variety of observers who shared a common hope that Harlem would become the ground from which blacks fully entered America's democracy. ". a glittering living tapestry ."-Publishers Weekly, starred review

Nina Sankovitch’s American Rebels explores, for the first time, the intertwined lives of the Hancock, Quincy, and Adams families, and the role each person played in sparking the American Revolution.Before they were central figures in American history, John Hancock, John Adams, Josiah Quincy Junior, Abigail Smith Adams, and Dorothy Quincy Hancock had forged intimate connections during their childhood in Braintree, Massachusetts. Raised as loyal British subj...

Using the tools of the "new" art history (feminism, Marxism, social context, etc.) An Introduction to Nineteenth-Century Art offers a richly textured, yet clear and logical, introduction to nineteenth-century art and culture. This textbook will provide readers with a basic historical framework of the period and the critical tools for interpreting and situating new and unfamiliar works of art.Michelle Facos goes beyond existing histories of nineteenth-century art, which oft...

The third volume of Richardson’s magisterial Life of Picasso, a groundbreaking contribution to our understanding of one of the greatest artists of the twentieth century.Here is Picasso at the height of his powers in Rome and Naples, producing the sets and costumes with Cocteau for Diaghilev’s Ballets Russes, and visiting Pompei where the antique statuary fuel his obsession with classicism; in Paris, creating some of his most important sculpture and paintin...

For skeptics, art lovers, and the millions of us who visit art galleries every year—and are confused—What Are You Looking At? by former director of London’s Tate Gallery Will Gompertz is a wonderfully lively, accessible narrative history of Modern Art, from Impressionism to the present day.What is modern art? Who started it? Why do we either love it or loathe it? And why is it such big money? Join BBC Arts Editor Will Gompertz on a dazzling tour that will ...