The poems in Stigmata are ruinous encounters between traumatic and historical memory. They transfigure the cult of the wound into a mystic frenzy of sex, grief, and noise. Drawing inspiration from a broad archive of texts and practices – apophatic theology, body horror, gardening, queer theory, classic films, poststructuralism, and bad sex – Stigmata forms a counterhistory of the wound, an experiment in fractured memoir and misplaced anatomy that weaponizes the confession...