“When we travel abroad we see our home with a clarity that we may never have been offered before.” (Simon Stephens)In this compelling international collection, Olivier and Tony Award-winning playwright Simon Stephens continues his bold interrogation of human fragility, connection, and transformation across cultures and continents.From the haunting intimacy of A Dark, Dark, Dark, Dark Blue, to the lyrical solitude of Maria, the existential ...

My name is Christopher John Francis Boone. I know all the countries of the world and the capital cities. And every prime number up to 7507.Christopher, fifteen years old, stands beside Mrs Shears's dead dog. It has been speared with a garden fork, it is seven minutes after midnight, and Christopher is under suspicion. He records each fact in the book he is writing to solve the mystery of who murdered Wellington. He has an extraordinary brain and is exceptional at maths, bu...

I drank three glasses of scotch and ginger ale before we'd even cleared Coney Island. I didn't want to come home. It was then that I decided to write you these letters.On a crisp winter day in New York, Willem gets the call. It's Mum. Pauli's died. Come back to Amsterdam.An unforgettable homecoming to an estranged family, a lost love, unsettling sex and an unexamined life.One of Stephens's most poetic plays to date, Song from Far Away received its ...

'Everything human beings do finishes up bad in the end. Everything good human beings ever make is built on something monstrous. Nothing lasts. We certainly won't...'Based on his experience as a teacher, Stephens describes his play as 'The History Boys on crack'. It explores the underlying tensions and potential violence in a group of affluent, articulate seventeen year old students. Contemporary and unnerving, with elements of The Catcher in the Rye, Punk Rock...

Danny returns from Basra to a foreign England and a different kind of battle. He visits an old flame, buys a gun and goes on a blistering road trip through the new home front.'I don't blame the war. The war was alright. I miss it. It's just you come back to this.'Written during the London bombings of 2005, Motortown is a fierce, violent and controversial response to the anti-war movement - and to the war itself. Chaotic and complex, powerful and provocative, Simon Stephen's n...

There's a hole running through the centre of my stomach. You must have all felt a bit awkward because you can probably see it.Sea Wall is a delicate monologue, completely devastating and beautifully powerful.Alex's story, spoken directly to the audience, begins full of clear light and smiles, as he speaks about his wife, visiting her father in the South of France, having a daughter, photography, and the bottom of the sea. His tone is natural, happy and eng...

2014 was a spectacular year for playwright Simon Stephens, who has been described by the Independent as 'a brilliant writer of immense imagination' and by the Financial Times as having 'emerged in this millennium as an outstanding playwright'.2014 was a year for Simon Stephens which featured a high number of world premiere plays including one for the theatre of his birthplace, Manchester's Royal Exchange, a major new play for the Downstairs space at London's Royal Court, and a Chek...

Is this the strangest thing that two people have ever done in the history of the world?In this uncertain world, who can predict what brings people together? When two strangers meet by chance amidst the bustle of a crowded London train station, their lives are changed forever.Multi-award-winning British playwright Simon Stephens brings his hit Broadway play to London for the first time. Brimming with blazing theatrical life it explores the uncertain and often comica...

Don't panic.Don't be scared.This must feel strange to you.It felt strange to me…From quiet sorrows to breathtaking beauty, the mystery of human experience unfolds before you. In An Ark, four guides shepherd you into an understanding of the human condition, encompassing the joy of first love and the inevitability of death.The first play created for mixed reality, this genre-defying collaboration between Tony A...

"Stephens writes dramas set in uncaring, uncompromising worlds, whose characters speak in a language at once naturalistic and yet artificially pared-down and whose uncertain attempts to assert their own identities sometimes lead to gratuitous and brutal acts of violence." - Financial TimesA fifth collection of plays by one of Britain's most prolific contemporary playwrights, Simon Stephens, charting his work from 2011-2016, ranging from London's Royal Court Theatre...

If you go, I don't think you should come back.On a startlingly bright autumn night in 2006, Harper Regan walked away from her home, her husband and daughter, and kept walking. She told nobody that she was going. She told nobody where she was going. She put everything she ever built at risk. For two lost days and nights, until it looked as though her entire life might unravel, she didn't turn back.From Uxbridge to Stockport to Manchester and back again,

I want, one more time, to be absolutely in the moment . . .I am going to try as hard as I can to not be a human being.A series of suggestions on desire, death and time.Nuclear War is the searing result of a groundbreaking and form-defying collaboration between Simon Stephens and the choreographer and movement director Imogen Knight, developed by Actors Touring Company.Introduced by the author, this edition also features a suite of l...