How an oddly attributed $19,000 picture proved to be a $100 million work by Leonardo da Vinci—a true art-world detective storyIn late 2010, art collector Peter Silverman revealed that a "German, early 19th century" portrait he had bought for $19,000 was, in fact, a previously unknown drawing by Leonardo da Vinci—an exquisite depiction of Bianca Sforza, rendered 500 years ago. In Leonardo's Lost Princess, Silverman gives a riveting first-person account of h...

According to Wikipedia: "John Ruskin (8 February 1819 20 January 1900) is best known for his work as an art critic, stage writer, and social critic, but is remembered as an author, poet and artist as well. Ruskin's essays on art and architecture were extremely influential in the Victorian and Edwardian eras."

Sandro Botticelli, painter and draughtsman, was one of the most esteemed painters in Italy in his lifetime, enjoying the patronage of the leading families of Florence, summoned to take part in the decoration of the Sistine Chapel in Rome, and commended by the great diplomatic, scholarly, and artistic leaders of his time. Lauded for his superb technique as a draughtsman and colorist and for his skilled use of the new tempera grassa medium, his art represented the maturation of the humanist ...

Wimsey the Bloodhound believes that all pictures look better with a Hound in them--even if they were painted by Leonardo! Aided and abetted by his art-loving French Bulldog colleague, Professor Pluto, Wimsey has introduced Hound-centric "improvements" to some of the world's best-loved and most renowned art masterpieces. And since these "improvements" involve placing himself at the center of a painting's action, Wimsey is on hand to explain why his presence clarifies the meaning of the pain...

At the turn of the fifteenth century, Rome was in the midst of a dramatic transformation from what the fourteenth-century poet Petrarch had termed a "crumbling city" populated by "broken ruins" into a prosperous Christian capital. Scholars, artists, architects, and engineers fascinated by Rome were spurred to develop new graphic modes for depicting the city—and the genre known as the city portrait exploded.In Rome Measured and Imagined, Jessica Maier explores the history of...

Was the Renaissance just a period of extraordinary art and architecture?The Renaissance: All That Matters examines the major developments of the Renaissance era from its beginnings in Italian city/states to later cultural, political, and scientific achievements in France, Spain, England, and Germany. By examining original sources and introducing readers to new research and important debates, this accessible book provides an exciting introduction to the Renaissance age.This ...

Art historians have long looked to letters to secure biographical details; clarify relationships between artists and patrons; and present artists as modern, self-aware individuals. This book takes a novel approach: focusing on Albrecht Dürer, Shira Brisman is the first to argue that the experience of writing, sending, and receiving letters shaped how he treated the work of art as an agent for communication.In the early modern period, before the establishment of a reliable postal sy...

A Wall Street Journal Book of the YearA Spectator Book of the Year“A truly intimate portrait of one of the greatest creators in human history,” this Leonardo Da Vinci biography brings both artist and Renaissance Italy to life (Noah Charney, author of The Art of Forgery).Why did Leonardo Da Vinci leave so many of his major works uncompleted? Why did this resolute pacifist build war machines ...

In 1428, a devastating fire destroyed a schoolhouse in the northern Italian city of Forlì, leaving only a woodcut of the Madonna and Child that had been tacked to the classroom wall. The people of Forlì carried that print - now known as the Madonna of the Fire - into their cathedral, where two centuries later a new chapel was built to enshrine it. In this book, Lisa Pon considers a cascade of moments in the Madonna of the Fire's cultural biography: when ink was impressed onto paper at a no...

Providing a fresh evaluation of Alberti’s text On Painting (1435), along with comparisons to various works of Nicholas Cusanus - particularly his Vision of God (1450) - this study reveals a shared epistemology of vision. And, the author argues, it is one that reflects a more deeply Christian Neoplatonic ideal than is typically accorded Alberti. Whether regarding his purpose in teaching the use of a geometric single point perspective system, or more broadly in rendering forms naturalistical...

Though Bartolomeo Scappi's Opera (1570), the first illustrated cookbook, is well known to historians of food, up to now there has been no study of its illustrations, unique in printed books through the early seventeenth century. In Food and Knowledge in Renaissance Italy, Krohn both treats the illustrations in Scappi's cookbook as visual evidence for a lost material reality; and through the illustrations, including several newly-discovered hand-colored examples, connects Scappi's Opera wit...

In 1462 Pope Pius II performed the only reverse canonization in history, publicly damning a living man. The target was Sigismondo Malatesta, Lord of Rimini and a patron of the arts with ties to the Florentine Renaissance. Condemned to an afterlife of torment, he was burned in effigy in several places in Rome. What had this cultivated nobleman done to merit such a fate?Pagan Virtue in a Christian World examines anew the contributions and contradictions of the Italian Renais...