First published in 2006. The social history of music first makes an appearance—even if only sporadically—in treatises which during the seventeenth and eighteenth centuries gave some account of the manners and morals of specific periods, and of these socio-historical writings one of the most comprehensive is Voltaire's Siele de Louis XIV (1751). In this volume the author, without going over too much familiar ground, presents a view of English musical history from the Middle Ages.

In Victorian times, England was famously dubbed the land without music - but one of the great musical discoveries of the early twentieth century was that England had a vital heritage of folk song and music which was easily good enough to stand comparison with those of other parts of Britain and overseas. Cecil Sharp, Ralph Vaughan Williams, Percy Grainger, and a number of other enthusiasts gathered a huge harvest of songs and tunes which we can study and enjoy at our leisure....

The Classical Music Map of Britain is a charming and fascinating journey around the UK from a classical music perspective. Extensively researched and beautifully written, every entry explains why each place was so special to the composer in question, which pieces were composed there, and whether it's currently open to the public. The Classical Music Map of Britain is an enchanting adventure around some of our lesser-known landmarks - perfect for any lover of history or classical music, or ...

Andrew Gant's compelling account traces English church music from Anglo-Saxon origins to the present. It is a history of the music and of the people who made, sang and listened to it. It shows the role church music has played in ordinary lives and how it reflects those lives back to us. The author considers why church music remains so popular and frequently tops the classical charts and why the BBC's Choral Evensong remains the longest-running radio series ever. He shows how Engla...

"A lively survey…her research and insights make us conscious of how we, today, use books."—John Sutherland, The New York Times Book ReviewTwo centuries before the advent of radio, television, and motion pictures, books were a cherished form of popular entertainment and an integral component of domestic social life. In this fascinating and vivid history, Abigail Williams explores the ways in which shared reading shaped the lives and literary culture of the e...

Handel is one of the most remarkable figures in the history of western music. His compositions form one of the peaks of creative achievement in the Baroque period, and cover a remarkable range: full-scale Italian operas and English oratorios (including Messiah), but also shorter works such as the Water Music and the Coronation Anthem Zadok the Priest. His compositional processes were often complex, but could result in accessible and memorable 'hit tunes', such as the aria that subsequently...

John Donne's life story is inextricably tied up with the fabric of a society in the throes of religious persecution. His family had long been subject to the terror inflicted upon Catholics under the reign of Elizabeth I, and while his brother languished in prison, and his mother and uncles fled to exile in Europe, Donne was consumed by the question of his own faith and by trying to figure out what it is that connects human beings - and keeps them apart.In his biography of Donne, Jo...

Biography of the composer. According to Wikipedia: "George Frederic Handel (23 February 1685 14 April 1759) was an English Baroque composer of German birth who is famous for his operas, oratorios, and concerti grossi. Born as Georg Friedrich Händel in Halle, the native German spent most of his adult life in England, becoming a naturalized subject of the British crown on 22 January 1727.[3] Perhaps the single word that best describes his life and music is "cosmopolitan": he was a German com...

In the chaos of the English Civil War and Puritan Commonwealth, churches were defaced and organs broken, but the tradition of fine music survived. When Charles II returned from exile in 1660, one of the first things he demanded was music, sacred and profane, anthems and motets, pavannes and gavottes. In 1659 Henry Purcell was born, and his genius would give the period and nation an unforgettable voice.Jonathan Keates traces Purcell's development against the turbulent movements of h...

18 November, 1741. George Frideric Handel, one of the world's greatest composers, arrives in Dublin – the second city of the Empire – to prepare his masterpiece, Messiah, for its maiden performance the following spring …In Hallelujah, Jonathan Bardon, one of Ireland's leading historians, explores the remarkable circumstances surrounding the first performance of Handel's now iconic oratorio in Dublin, providing a panoramic view of a city in flux – at once struggling to contain the chaos unl...

As the last Stuart monarch, Queen Anne (1665-1714) received the education thought proper for a princess, reading plays and poetry in English and French while learning dancing, singing, acting, drawing, and instrumental music. As an adult, she played the guitar and the harpsichord, danced regularly, and took a connoisseur's interest in all the arts. In this comprehensive interdisciplinary biography, James Winn tells the story of Anne's life in new breadth and detail, and in unprecedented cu...

Robert Simpson (1921-1997) is widely regarded as the most important British composer in the generation following Benjamin Britten. He wrote 11 symphonies, 15 string quartets, much other chamber music and works for brass band. He also wrote definitive studies of Bruckner and Nielsen. A committed socialist and pacifist, Simpson worked as a volunteer on a mobile surgical unit during the London blitz. Brought up in the Salvation Army, he later rejected religion, and never tried to ingratiate h...