The English Civil War has become a frequent point of reference in contemporary political debate. A bitter and bloody series of conflicts, it shook the very foundations of seventeenth-century Britain. This is the first attempt to portray the visual legacy of this period, as passed down, revisited and periodically reworked over two and a half centuries of subsequent English history.Highly regarded art historian Stephen Bann deftly interprets the mass of visual evidence accessible toda...

The second volume shines a light on the cultural and social changes that took place during the epoch of European Restorations, when the death of the Napoleonic empire existed as a crucial moment for contemporaries. Expanding the transnational approach of Volume I, the chapters focus on the transmutation of ordinary experiences of war into folklore and popular culture, the emergence of grassroots radical politics and conspiracies on the Left and Right, and the relationship between literacy ...

Stephen Bann examines the arguments for the centrality of French modernist painting. He begins by focusing particularly on the notion of the modernist break, as it has been interpreted with regard to painters like Manet and Ingres. He argues that ‘curiosity’, with its origins in the seventeenth-century world-view can be a valid concept for understanding some aspects of contemporary art that contest the modern, suggesting ways of sidetracking the modern by adopting a lengthier historical vi...

Ian Hamilton Finlay (1925–2006) was one of Scotland's leading twentieth-century public intellectuals, and famously one of its most brilliant and combative correspondents. His letters raise issues of particular and widespread interest both within Scotland and further afield. His correspondence with Stephen Bann, the English poet and academic, have a very special place in this context. These letters present in a clear and commensurable form the development of his ideas about poetry and art, ...

These letters to (and from) Finlay's friend, the English poet and scholar, Stephen Bann, centre on the initial development of the garden at Stonypath, near Edinburgh, later to become the world renowned Little Sparta'. They cover Finlay's turn away from poetry towards sculpture and garden design, and the thinking behind, and consequences of, this development.

Von Kind auf ist Hannah zum Überleben erzogen worden: fliehen, kämpfen, beschützen.Ihre Lehrer: drei Jahrzehnte der Angst. Dreißig Jahre voller Albträume.Doch das hier ist kein Albtraum. Es ist Wirklichkeit.Ein Mann verfolgt die Frauen ihrer Blutlinie, seit fünf Generationen, durch ein uraltes Geheimnis geschützt. Er will ihr das Liebste nehmen: ihr Kind. Und Hannah kann keinem trauen.Keinem.«Ein echter Pageturner. Nicht vorm Einschlafen lesen!» (BBC Radi...

Julia Kristeva presents a thoroughly original and compelling reading of Proust’s Remembrance of Things Past, first delivered at the 1992 T.S. Eliot Memorial Lectures at Canterbury. Kristeva's first essay, “Proust and Time Embodied,” takes a broadly psychoanalytical, linguistically sensitive approach to Proust’s exploration of time and the operation of memory. Next, in “In Search of Madeline,” she delves into Proust’s concept of the little cake that flooded him with the taste of ch...

Auf Llyn Gwyr, einer abgelegenen Hütte in den walisischen Bergen, hat sich Hannah Wilde mit ihrer Tochter verschanzt. Seit Jahren ist sie auf der Flucht vor einer Bedrohung: unsichtbar und mit tausend Gesichtern. Ein Unheil, das seit Generationen alle Frauen ihrer Blutlinie vernichtet. Während ihr Verfolger immer näher kommt, erkennt Hannah, dass nur sie den Fluch bannen kann, der auf ihrer Familie lastet. Und sie hat gute Gründe, niemandem zu trauen - auch nicht den Menschen, die ihr am n...

An astonishing work of cultural criticism, this book is widely recognized as a brilliant and devastating challenge to conventional views of literature, anthropology, religion, and psychoanalysis. In its scope and interest it can be compared with Freud's Totem and Taboo, the subtext Girard refutes with polemic daring, vast erudition, and a persuasiveness that leaves the listener compelled to respond, one way or another.This is the single fullest summation of Girard's ideas ...

Seamus Heaney, the great Irish poet, made a significant contribution to classical reception in modern poetry; though occasional essays have appeared in the past, this volume is the first to be wholly dedicated to this perspective on his work. Comprising literary criticism by scholars of both classical reception and contemporary literature in English, it includes contributions from critics who are also poets, as well as from theatre practitioners on their interpretations and productions of ...