Showing results for "amy e seham"
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2001
EN
On both sides of the stage improv-comedy's popularity has increased exponentially throughout the 1980s and '90s and into the new millennium. Presto! An original song is created out of thin air. With nothing but a suggestion from the audience, daring young improvisers working without a net or a script create hilarious characters, sketches, and songs. Thrilled by the danger, the immediacy, and the virtuosity of improv-comedy, spectators laugh and cheer.American improv-comedy burst on...
Whose Improv Is It Anyway?
Beyond Second City
2009
EN
On both sides of the stage improv-comedy's popularity has increased exponentially throughout the 1980s and '90s and into the new millennium. Presto! An original song is created out of thin air. With nothing but a suggestion from the audience, daring young improvisers working without a net or a script create hilarious characters, sketches, and songs. Thrilled by the danger, the immediacy, and the virtuosity of improv-comedy, spectators laugh and cheer.American improv-comedy burst on...
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Hot Stuff
Disco and the Remaking of American Culture
2010
EN
Disco thumps back to life in this pulsating exploration of the culture and politics of the glitterball world.In the 1970s, as the disco tsunami engulfed America, the once-innocent question, “Do you wanna dance?” became divisive, even explosive. What was it about this much-maligned music that made it such hot stuff? In this incisive history, Alice Echols captures the felt experience of the Disco Years—on dance floors both fabulous and tacky, at the movies, in the st...
Hip
The History
2009
EN
Hip: The History is the story of how American pop culture has evolved throughout the twentieth century to its current position as world cultural touchstone. How did hip become such an obsession? From sex and music to fashion and commerce, John Leland tracks the arc of ideas as they move from subterranean Bohemia to Madison Avenue and back again. Hip: The History examines how hip has helped shape -- and continues to influence -- America's view of itself, and provides an in...
2011
EN
By reconsidering assumptions about mainstream popular culture and its revolutionary possibilities, author Dana Heller reveals that John Waters' popular 1988 film Hairspray is the director's most subversive movie.Represents the first scholarly work on any of film director John Waters' filmsIncorporates original interview material with the directorReveals meanings embedded in the film's narrative treatment of racial and sexual politics
2013
EN
To Be An Artist is a conversation with today’s successful and prominent artists from a variety of disciplinesâ€"musicians, visual artists, digital artists, poets, writers, activists and scholars. All of them discuss what it means to be an artist today, how they perceive their craft and their world, and the role of art in society. They agree that artists’ creativity and success come not only from the intense focus on their craft, but, also, from their development of a worldviewâ€"from t...
Happy Clouds, Happy Trees
The Bob Ross Phenomenon
2014
EN
Readers will know Bob Ross (1942-1995) as the gentle, afro'd painter of happy trees on PBS. And while the Florida-born artist is reviled or ignored by the elite art world and scholarly art educators, he continues to be embraced around the globe as a healer and painter, even decades after his death. In Happy Clouds, Happy Trees, the authors thoughtfully explore how the Bob Ross phenomenon grew into a juggernaut.Although his sincerity in embracing democracy, gift economies, ...
Banding Together
How Communities Create Genres in Popular Music
2012
EN
Why do some music styles gain mass popularity while others thrive in small niches? Banding Together explores this question and reveals the attributes that together explain the growth of twentieth-century American popular music. Drawing on a vast array of examples from sixty musical styles--ranging from rap and bluegrass to death metal and South Texas polka, and including several created outside the United States--Jennifer Lena uncovers the shared grammar that allows us to understa...
The Theater Will Rock
A History of the Rock Musical, from Hair to Hedwig
- Series -
- Anthropology series
2010
EN
Accessible
"A much-needed study of the impact of rock music on the musical theater and its resulting challenges, complexities, failures, and successes. Anyone interested in Broadway will learn a great deal from this book."---William Everett, author of The Musical: A Research Guide to Musical Theatre"As Wollman weaves her historical narrative, she compellingly returns to . . . the conflict between the aesthetics and ideologies of rock music and the disciplined and commercial pr...
Jazz Matters
Sound, Place, and Time since Bebop
2010
EN
What, where, and when is jazz? To most of us jazz means small combos, made up mostly of men, performing improvisationally in urban club venues. But jazz has been through many changes in the decades since World War II, emerging in unexpected places and incorporating a wide range of new styles. In this engrossing new book, David Ake expands on the discussion he began in Jazz Cultures, lending his engaging, thoughtful, and stimulating perspective to post-1940s jazz. Ake investigates ...
Black Cultural Traffic
Crossroads in Global Performance and Popular Culture
2010
EN
"A shrewdly designed, generously expansive, timely contribution to our understanding of how 'black' expression continues to define and defy the contours of global (post)modernity. The essays argue persuasively for a transnational ethos binding disparate African and diasporic enactments, and together provide a robust conversation about the nature, history, future, and even possibility of 'blackness' as a distinctive mode of cultural practice."--Kimberly Benston, author of Perform...
Hidden in the Mix
The African American Presence in Country Music
2013
EN
Country music's debt to African American music has long been recognized. Black musicians have helped to shape the styles of many of the most important performers in the country canon. The partnership between Lesley Riddle and A. P. Carter produced much of the Carter Family's repertoire; the street musician Tee Tot Payne taught a young Hank Williams Sr.; the guitar playing of Arnold Schultz influenced western Kentuckians, including Bill Monroe and Ike Everly. Yet attention to how these and ...











