Dark Mattermaps the invisible dimension of theater whose effects are felt everywhere in performance. Examining phenomena such as hallucination, offstage character, offstage action, sexuality, masking, technology, and trauma, Andrew Sofer engagingly illuminates the invisible in different periods of postclassical western theater and drama. He reveals how the invisible continually structures and focuses an audience’s theatrical experience, whether it’s black magic in Doctor Faust...

In The Stage Life of Props, Andrew Sofer aims to restore to certain props the performance dimensions that literary critics are trained not to see, then to show that these props are not just accessories, but time machines of the theater.Using case studies that explore the Eucharistic wafer on the medieval stage, the bloody handkerchief on the Elizabethan stage, the skull on the Jacobean stage, the fan on the Restoration and early eighteenth-century stage, and the gun on the ...

In the fine tradition of On Bullshit comes this outrageous, uproarious compendium of absurdity, filth, racy paradox, and mature philosophical reflection.Stop Me If You've Heard This is the first book to trace the evolution of the joke from the stand-up comics of ancient Athens to the comedy-club Seinfelds of today. Cropping up en route are such unforgettable figures as Poggio, a Renaissance papal secretary and sexual adventurer; and Gershon Legman, the FBI-hounded...

The first edition of The Rhetoric of Fiction transformed the criticism of fiction and soon became a classic in the field. One of the most widely used texts in fiction courses, it is a standard reference point in advanced discussions of how fictional form works, how authors make novels accessible, and how readers recreate texts, and its concepts and terms—such as "the implied author," "the postulated reader," and "the unreliable narrator"—have become part of the standard critical l...

To consider comedy in its many incarnations is to raise diverse but related questions: what, for instance, is humour, and how may it be used (or abused)? When do we laugh, and why? What is it that writers and speakers enjoy - and risk - when they tell a joke, indulge in bathos, talk nonsense, or encourage irony? This Very Short Introduction explores comedy both as a literary genre, and as a range of non-literary phenomena, experiences and events. Matthew Bevis studies the classics of comic...

As defining as Christopher Lasch’s The Culture of Narcissism, Allan Bloom’s The Closing of the American Mind, and Dinesh D’Souza’s Illiberal Education were to the 1970s, 1980s, and 1990s, respectively, Marjorie Garber’s The Use and Abuse of Literature is to our times.Even as the decline of the reading of literature, as argued by the National Endowment for the Arts, proceeds in our culture, Garber (“One of the most powerful women in the academic w...

Most English majors who take the GRE Literature in English test do not do particularly well, usually near the 50th percentile. To increase their acceptance into a graduate program (MA or PhD), test takers need at least to be over the 80th percentile. This is hard to do since ETS deliberately designs the test to befuddle most test takers. Quite frankly, these test takers simply do not know enough literature to excel. Further, they do not have the test "psyched" out, and they are lacking eff...

Sir Frank Kermode is acknowledged as one of the greatest critics of our time, renowned for the wit humanity and good sense of his writing. Pleasing Myself brings together the very best of his shorter pieces, on topics ranging from Donne and Yeats to modern art and money.

Gothic as a form of fiction-making has played a major role in Western culture since the late eighteenth century. In this volume, fourteen world-class experts on the Gothic provide thorough and revealing accounts of this haunting-to-horrifying type of fiction from the 1760s (the decade of The Castle of Otranto, the first so-called 'Gothic story') to the end of the twentieth century (an era haunted by filmed and computerized Gothic simulations). Along the way, these essays explore the connec...

The thoroughly expanded and updated New Companion to the Gothic, provides a series of stimulating insights into Gothic writing, its history and genealogy. The addition of 12 new essays and a section on ‘Global Gothic’ reflects the direction Gothic criticism has taken over the last decade.Many of the original essays have been revised to reflect current debatesOffers comprehensive coverage of criticism of the Gothic and of the various theoretical approaches i...

With new entries and sensitive edits, this fifth edition places J.A. Cuddon’s indispensable dictionary firmly in the 21st Century.Written in a clear and highly readable styleComprehensive historical coverage extending from ancient times to the present dayBroad intellectual and cultural rangeExpands on the previous edition to incorporate the most recent literary terminologyNew material is particularly focused in areas such as gender stud...

This volume in the Shakespeare Criticism series offers a range of approaches to Twelfth Night, including its critical reception, performance history, and relation to early modern culture.James Schiffer’s extensive introduction surveys the play’s critical reception and performance history, while individual essays explore a variety of topics relevant to a full appreciation of the play: early modern notions of love, friendship, sexuality, madness, festive ritual, exo...