Normal.dotm0011901163SIU Press195141012.00false18 pt18 pt00falsefalsefalseFringe Benefits, an award-winning theatre company, collaborates with schools and communities to create plays that promote constructive dialogue about diversity and discrimination issues. Staging Social Justice is a groundbreaking collection of essays about Fringe Benefits’ script-devising methodology and their collaborations in the United States, Australia, Canada and the United Kingdom. The anthology also v...

Subtitled 'A tragicomedy in two Acts', and famously described by the Irish critic Vivien Mercier as a play in which 'nothing happens, twice', En attendant Godot was first performed at the Théâtre de Babylone in Paris in 1953. It was translated into English by Samuel Beckett, and Waiting for Godot opened at the Arts Theatre in London in 1955.'Go and see Waiting for Godot. At the worst you will discover a curiosity, a four-leaved clover, a black t...

In one of our greatest contemporary plays, set in two distinct centuries, Tom Stoppard explores the nature of truth, time, sex and attraction with absorbing and tragic humour.Comparing what we're looking for misses the point. It's wanting to know that makes us matter. Otherwise we're going out the way we came in.Arcadia premiered at the National Theatre, London, 1993, winning the Olivier Award for Best New Pla...

Anyone who's never watched someone die is suffering from a pretty bad case of virginity.Look Back in Anger premiered at the Royal Court Theatre, London, in 1956.'John Osborne didn't contribute to British theatre: he set off a landmine called Look Back in Anger and blew most of it up.' Alan Sillitoe'A story of youthful insecurity inflamed by lack of opportunity and the terrifying, destabilizing force of love . . . Jimmy Porter could...

Stanley Webber is visited in his boarding house by strangers, Goldberg and McCann. An innocent-seeming birthday party for Stanley turns into a nightmare.The Birthday Party was first performed in 1958 and is now a modern classic, produced and studied throughout the world.

In celebration of American Theatre’s twenty-fifth anniversary, the editors of the nation’s leading theater magazine have chosen their best essays and interviews to provide an intimate look at the people, plays, and events that have shaped the American theater over the past quarter-century. Over two hundred artists, critics, and theater professionals are gathered in this one-of-a-kind collection, from the visionaries who conceived of a diverse and thriving national theater communit...

Snake in the GrassA terrific piece - brilliant, bizarre and yet totally believable . . . In fact, it's more than classic; it's close to the top of its class. Yorkshire PostIf I Were YouA blissfully funny comedy that's also filled with sadness, a devilishly simple theatrical idea that spins out all kinds of complex truths about human nature. Daily TelegraphLife and BethA wise, humane, ...

What on earth is happening to our planet? And who knows what to do? Certainties are few: every living thing is related to every other living thing; our actions have consequences; change is continual and inevitable.The National Theatre asked four of the country's most exciting writers to investigate. The team spent six months interviewing key individuals from the worlds of science, politics, business and philosophy to create a fast-paced and provocative new play.Gree...

First published in 1981, this book represents the first work in English to give a comprehensive account of the revolutionary developments in German theatre from the decline of Naturalism through the Expressionist upheaval to the political theatre of Piscator and Brecht. Early productions of Kaiser’s From Morning till Midnight and Toller’s Transfiguration are presented as examples of Expressionism. A thorough analysis of Piscator’s Hoppla, Such is Life! And Brecht...

In the twenty years that preceded the publication of this book in 1988, David Rabe was in the vanguard of playwrights who shaped American theatre. As the first full-length work on Rabe, this book laid the groundwork for later critical and biographical studies. The first part consists of an essay that covers three sections: a short biography, a summary and evaluation of his formative journalism for the New Haven Register, and a detailed and cohesive stage history of his work. The s...

First published in 1985, this book examines how workers theatre movements intended their performances to be activist — perceiving art as a weapon of struggle and enlightenment — and an emancipatory act. An introductory study relates left-wing theatre groupings to the cultural narratives of contemporary British socialism. The progress of the Workers’ Theatre Movement (1928-1935) is traced from simple realism to the most brilliant phase of its Russian and German development alongside which t...

Shakespeare's Globe Theatre is recognised worldwide as both a monument to and significant producer of the dramatic art of Shakespeare and his contemporaries. But it has established a reputation too for commissioning innovative and distinctive new plays that respond to the unique characteristics and identity of the theatre. This is the first book to focus on the new drama commissioned and produced at the Globe, to analyse how the specific qualities of the venue have shaped those works and t...