This book offers a detailed narrative account of what happened at the 2013 Latina/o Theatre Commons National Convening which was the first national gathering of U.S. Latina/o theatermakers in more than twenty five years. The convening was hosted by HowlRound: A Center for the Theater Commons at Emerson College in Boston, October 31 to November 2, 2013.

America has gone Hamilton crazy. Lin-Manuel Miranda’s Tony-winning musical has spawned sold-out performances, a triple platinum cast album, and a score so catchy that it is being used to teach U.S. history in classrooms across the country. But just how historically accurate is Hamilton? And how is the show itself making history?Historians on Hamilton brings together a collection of top scholars to explain the Hamilton phenomenon and explore what ...

María Irene Fornés is both one of the most influential and one of the least well-known US theatermakers of the late twentieth century, with former students including leading US playwrights, directors and scholars. This is the first major scholarly collection to elucidate Fornés' rich life, work, and legacy. Providing concise and wide-ranging contributions from notable scholars, practitioners and advocates drawn from the academic and artistic communities most informed and inspired by her wo...

From the colonial period to independence and into the twenty-first century, Latin American culture has been mapped as a subordinate “other” to Europe and the United States. This collection reconsiders geographical space and power and the ways in which theatrical and performance histories have been constructed throughout the Americas. Essays bridge political, racial, gender, class, and national divides that have traditionally restricted and distorted our understanding of Latin American thea...

Latin Numbers is a work of performance history, examining the way in which Latino actors on the twentieth-century stage and screen communicated and influenced American ideas about race and ethnicity. Brian Eugenio Herrera looks at how these performances and performers contributed to American popular understanding of Latinos as a distinct racial and ethnic group. His book tracks the conspicuously “Latin” musical number; the casting of Latino actors; the history of West Side Sto...

Rewrites our understanding of the last 50 years of Chicana/o cultural production.Chicana/o Remix casts new light not only on artists—such as Sandra de la Loza, Judy Baca, and David Botello, among others—but on the exhibitions that feature their work, and the collectors, curators, critics, and advocates who engage it.Combining feminist theory, critical ethnic studies, art historical analysis, and extensive archival and field research, Karen Mary Davalos argu...

Latinx Actor Training presents essays and pioneering research from leading Latinx practitioners and scholars in the United States to examine the history and future of Latino/a/x/e actor training practices and approaches.Born out of the urgent need to address the inequities in academia and the industry as Latinx representation on stage and screen remains disproportionately low despite population growth; this book seeks to reimagine and restructure the practice of actor trai...

A National Book Award winnerThe New York Times bestselling history of how racist ideas were created, spread, and deeply rooted in American society.**“An engrossing and relentless intellectual history of prejudice in America.” -**Washington PostSome Americans insist that we’re living in a post-racial society. But racist thought is not just alive and well in America—...

In today's art world many strange, even shocking, things qualify as art. In this book, Cynthia Freeland explains why innovation and controversy are valued in the arts, weaving together philosophy and art theory with many fascinating examples. She discusses blood, beauty, culture, money, museums, sex, and politics, clarifying contemporary and historical accounts of the nature, function, and interpretation of the arts. Freeland also propels us into the future by surveying cutting-edge web si...

**#1 NEW YORK TIMES BESTSELLER • NAACP IMAGE AWARD WINNER • A dramatic expansion of a groundbreaking work of journalism, The 1619 Project: A New Origin Story offers a profoundly revealing vision of the American past and present.“[A] groundbreaking compendium . . . bracing and urgent . . . This collection is an extraordinary update to an ongoing project of vital truth-telling.”—Esquire**NOW AN EMMY-WINNING HULU ORIGINAL DOCUSERIES • A K...

In today's art world many strange, even shocking, things qualify as art. In this Very Short Introduction Cynthia Freeland explains why innovation and controversy are valued in the arts, weaving together philosophy and art theory with many fascinating examples. She discusses blood, beauty, culture, money, museums, sex, and politics, clarifying contemporary and historical accounts of the nature, function, and interpretation of the arts. Freeland also propels us into the future by surveying c...

Robert B. Textor Prize for Excellence in Anticipatory Anthropology, American Anthropological Association, 2000Honorable Mention, Victor Turner Award, Society for Humanistic Anthropology, 2001Leeds Prize, Society of Urban, National, and Transnational/Global Anthropology, 2001Friendly gossip, political rallies, outdoor concerts, drugs, shoeshines, and sex-for-sale—almost every aspect of Latin American life has its place and time in the public plaza. In ...