“We are not worth more, they are not worth less.” This is the mantra of S. Brian Willson and the theme that runs throughout his compelling psycho-historical memoir. Willson’s story begins in small-town, rural America, where he grew up as a “Commie-hating, baseball-loving Baptist,” moves through life-changing experiences in Viet Nam, Nicaragua and elsewhere, and culminates with his commitment to a localized, sustainable lifestyle.In telling his story, Willson provides numerous examp...

"Kovalik helps cut through the Orwellian lies and dissembling which make so-called 'humanitarian' intervention possible." —Oliver StoneWar is the fount of all the worst human rights violations―including genocide―and not its cure. This undeniable truth, which the framers of the UN Charter understood so well, is lost in today’s obsession with the oxymoron known as “humanitarian" intervention.No More War: How the West Violates International Law by Using 'H...

Successful professional musicians—instrumentalists and vocalists alike—are always busy. Performing, teaching, family, and professional responsibilities keep them on the go around the clock, yet they still find time to practice so that they can maintain technique, prepare for upcoming performances, and thrive as a musician. In this eye-opening essay collection, these world-renowned artists share their insights on practice, from practical tips you can use today to the intangible lessons of l...

Type designer Ed Austin is on a losing streak. Divorced, and with his daughter studying abroad, he has only an old dog for a companion. His world has contracted into something simple, solitary—and safe. But after acquiring a dozen handwritten letters forgotten in the barn of an old Maine farmhouse, Ed finds himself haunted by thoughts of a nineteenth-century woman named Lydia Starbird. At first he’s enchanted by her penmanship, and then the life she describes in her letters—each addressed...

The Egúngún society is one of the least-studied and written-about aspects of African diasporic spiritual traditions. It is the society of the ancestors, the society of the dead. Its primary function is to facilitate all aspects of ancestor veneration. Though it is fundamental to Yorùbá culture and the Ifá/Òrìṣà tradition of the Yorùbá, it did not survive intact in Cuba or the US during the forced migration of the Yorùbá in the Middle Passage. Taking hold only in Brazil, the Egúngún cult h...

Viet Nam veteran S. Brian Willson was so shocked by the diabolical nature of the US war against Viet Nam -- irreversible knowledge, as he describes it -- and his own appalling ignorance from his cultural conditioning, that it sparked a lifetime of anti-war activism. This toxic jolt awakened him to the extent to which he and generations of American citizens had thoughtlessly succumbed to the relentless barrage of lies and propaganda that infest US American culture—from the military and poli...