•Audience includes those who buy The Daramatists Sourcebook. •May be revised every 2-3 years. (Possibly an on-going project.

Anyone who's never watched someone die is suffering from a pretty bad case of virginity.Look Back in Anger premiered at the Royal Court Theatre, London, in 1956.'John Osborne didn't contribute to British theatre: he set off a landmine called Look Back in Anger and blew most of it up.' Alan Sillitoe'A story of youthful insecurity inflamed by lack of opportunity and the terrifying, destabilizing force of love . . . Jimmy Porter could...

A young lawyer's involvement in her first case leads her through a criminal justice system - police, courts and prisons - which is cracking at the seams.Murmuring Judges is the second play in David Hare's highly acclaimed trilogy about British institutions. Racing Demon, which won four awards as Play of the Year in 1990, was the first part of the trilogy and examined the Church. The Absence of War, a play about the Labour Party, co...

Here is the first and only manual for playwrights ever designed to draw directly from the wisdom of leading contemporary dramatists. Interwoven with hundreds of quotations from the author's own in-depth interview series at the Dramatists Guild, in New York City, The Playwright's Process offers a fresh and lively discussion of the indispensable ingredients of strong dramatic writing. Every essential step the writer must take to create a well-written, stageworthy play is examined an...

I'm done, Father,Keep your crown,I swear you'll never bring me down!I am not queen material!Once, in opposing kingdoms lived a princess and a prince who had lost their mothers. Althea, unable to cry, became light with grief and floated, and so was locked away. Digby, so heavy-hearted that he could never smile, one day declares war. Althea, forced out of hiding, escapes, only to encounter the solemn prince on contested land and the warring heirs begin a passiona...

In celebration of American Theatre’s twenty-fifth anniversary, the editors of the nation’s leading theater magazine have chosen their best essays and interviews to provide an intimate look at the people, plays, and events that have shaped the American theater over the past quarter-century. Over two hundred artists, critics, and theater professionals are gathered in this one-of-a-kind collection, from the visionaries who conceived of a diverse and thriving national theater communit...

Acknowledged as the nation’s foremost expert on audience development involving America’s growing multicultural population by the Arts and Business Council, Donna Walker-Kuhne has now written the first book describing her strategies and methods to engage diverse communities as participants for arts and culture. By offering strategic collaborations and efforts to develop and sustain nontraditional audiences, this book will directly impact the stability and future of America’s cultural and ar...

Stage Directions covers half a lifetime and the whole range of Frayn's theatrical writing, right up to a new piece about his latest play, Afterlife. It is also a reflection on his path into theatre: the 'doubtful beginnings' of his childhood, his subsequent scorn as a young man and, surprisingly late in life, his reluctant conversion. Whatever subjects he tackles, from the exploration of the atomic nucleus to the mechanics of farce, Michael Frayn is never less than fascinating, delightfull...

*Winner - International Book Award*Matthew J. Pallamary's popular Phantastic Fiction Workshop has been a staple of the Santa Barbara Writers Conference and the Southern California Writer's Conference for over twenty five years. He has also lectured at numerous other venues and led his own weekend intensive workshops.Matt has spent extended time in the jungles, mountains, and deserts of North, Central, and South America pursuing his studies of shamanism and ancient cultures....

"Together with The Dramatic Writer's Companion, Dunne's The Architecture of Story is part of the most thorough course in playwriting available in print." —Art Borreca, head of Dramaturgy Program and co-head of Playwrights Workshop, the University of IowaWhile successful plays tend to share certain storytelling elements, there is no single blueprint for how a play should be constructed. Instead, seasoned playwrights know how to select the right elem...

'Believe me, my young friend, there is absolutely nothing half so much worth doing as simply messing about in boats. In them or out of them, it doesn't matter. Whether you get away or you don't, whether you arrive at your destination or whether you never get anywhere at all, you're always busy.'Ever since the publication of Kenneth Grahame's novel in 1908, the characters of Ratty, Mole, Toad and Badger have delighted generations of readers. Now Alan Bennett has written an adaptatio...

‘It’s all real. All of it. Everything bad is real’ - MoeAlistair McDowall’s Pomona was first staged in 2014 and won properly startling, and startled, acclaim. Its edgeland setting permits a surrealistic disengagement of linear forms of time, which is both dreamlike and wildly funny; nightmarish and ominously enveloping. The play has as its imaginative springboard a landscape which is both real and surreal. It offers an unforgettable journey into radical uncertaint...