A chronicle of Adams's rise from alt-country to rock stardom, featuring stories about the making of the albums Strangers Almanac and Heartbreaker.Before he achieved his dream of being an internationally known rock personality, Ryan Adams had a band in Raleigh, North Carolina. Whiskeytown led the wave of insurgent-country bands that came of age with No Depression magazine in the mid-1990s, and for many people it defined the era. Adams was ...

This book is a love letter to the artists, scenes, and sounds defining North Carolina’s extraordinary contributions to American popular music. David Menconi spent three decades immersed in the state’s music, where traditions run deep but the energy expands in countless directions. Menconi shows how working-class roots and rebellion tie North Carolina’s Piedmont blues, jazz, and bluegrass to beach music, rock, hip-hop, and more. From mill towns and mountain coves to college-town clubs and t...

What is American roots music? Any definition must account for a kaleidoscope of genres from bluegrass to blues, western swing to jazz, soul and gospel to rock and reggae, Cajun to Celtic. It must encompass the work of artists as diverse as Alice Gerard and Alison Krauss, George Thorogood and Sun Ra, Béla Fleck and Clarence “Gatemouth” Brown, the Blake Babies and Billy Strings. What do all these artists and music styles have in common? The answer is a record label born in the wake of the Am...

Take a volatile rock band, a kingmaking concert promoter, a downtrodden clubowner and a rock critic with questionable journalistic ethics, add one hit record, a drug problem, a couple of riots and shake well. There you have the essence of this book, the very unauthorized account of the rise and fall of the Tommy Aguilar Band. Off The Record will confirm your worst suspicions about the music business, an industry in which musicians are like the infantry -- the first to die, and the last to ...

"Full of humor and humility . . . Since Benson started Asleep at the Wheel as a working-class country band, it's one helluva ride worth telling." — The Austin ChronicleA six-foot-seven-inch Jewish hippie from Philadelphia starts a Western swing band in 1970. It sounds like a joke but—more than forty years, twenty-five albums, and nine Grammy Awards later—Asleep at the Wheel is still drawing crowds around the world. The roster of musicians...