"Learning to Fly: A Practical Manual for Beginners" by Claude Grahame-White and Harry Harper serves as an essential guide for aspiring aviators. The book meticulously covers the fundamentals of flight, providing readers with a comprehensive understanding of aerodynamics, aircraft operation, and the principles of navigation. With clear explanations and practical advice, it demystifies the complexities of flying, making it accessible to novices. The authors draw on their extensive experience...

An anthology of parables and short stories about illusions lost, loves forsaken, and friendships found.

This book tells the story of Bass, which during the mid-1800s grew from a small provincial brewery into the world’s largest ale brewer. Spanning 230 years, the story is set against a backdrop of changing social attitudes, economic conditions and government regulations, and relates how all these various factors affected the brewing industry. The book also tells the story of those brewing companies, ranging from Scotland, the north of England and Midlands, to London, which during the 1960s m...

Johann Joseph Fux's reputation as a theorist and the long-term influence of his theoretical and pedagogical work have ensured that his name is widely known in music circles in the West. His pre-eminence as the foremost native-born composer of the Austrian Baroque has resulted in attention being focused on his work as an exemplum of virtually every genre, sacred or secular of Austro-Italian early eighteenth-century music. The publication of the Fux Gesamtausgabe has greatly enhanced the rep...

Examining, for the first time, the compositions of Johann Joseph Fux in relation to his contemporaries Bach and Handel, The Musical Discourse of Servitude presents a new theory of the late baroque musical imagination. Author Harry White contrasts musical "servility" and "freedom" in his analysis, with Fux tied to the prevailing servitude of the day's musical imagination, particularly the hegemonic flowering of North Italian partimento method across Europe. In contrast, bo...

Polite Forms was written between January, 2008 and June, 2011. Although the whole sequence is, perhaps self-evidently, it is a meditation on family life written from the perspective of a man in his early fifties.

Harry White examines the influence of music in the development of the Irish literary imagination from 1800 to the present day. He identifies music as a preoccupation which originated in the poetry of Thomas Moore early in the nineteenth century. He argues that this preoccupation decisively influenced Moore's attempt to translate the 'meaning' of Irish music into verse, and that it also informed Moore's considerable impact on the development of European musical romanticism, as in the music ...

During World War II fighter pilots were, at times, detailed to perform out-of-the-ordinary operations. "Duck Hunting in a Hurricane" was an event that resulted in just such an operation in order to recover the Hurricane and bring back the ducks.

From the bestselling author of The Five People You Meet in Heaven**, an insightful memoir that begs the question: what if our beliefs were not what divided us, but what pulled us together?**In Have a Little Faith, Mitch Albom offers a beautifully written story of a remarkable eight-year journey between two worlds—two men, two faiths, two communities—beginning with an unusual request: an eighty-two-year-old rabbi from Albom's old h...

Finalist for the 2001 Pulitzer Prize in Biography. A landmark biography of Bach on the 250th anniversary of the composer's death, written by the leading Bach scholar of our age.Although we have heard the music of J. S. Bach in countless performances and recordings, the composer himself still comes across only as an enigmatic figure in a single familiar portrait. As we mark the 250th anniversary of Bach's death, author Christoph Wolff presents a new picture that brings to life this ...

A selection of Mozart's letters, translated into English, complete with notes, linking commentary and chronology.

For the first time, Faber publish a selection from the poetry of Philip Larkin. Drawing on Larkin's four collections and on his uncollected poems. Chosen by Martin Amis.'Many poets make us smile; how many poets make us laugh - or, in that curious phrase, "laugh out loud" (as if there's another way of doing it)? Who else uses an essentially conversational idiom to achieve such a variety of emotional effects? Who else takes us, and takes us so often, from sunlit levity to mellifluous...