Showing results for "iain chambers"
Showing 1 - 8 of 8 Results
Adult content is visible.Culture after Humanism
History, Culture, Subjectivity
- Series -
- Comedia
2013
EN
Accessible
Culture After Humanism asks what happens to the authority of traditional western modes of thought in the wake of postmodernist theories of language and identity. Drawing on examples from music, architecture, literature, philosophy and art, Iain Chambers investigates moments of tension, interruptions which transform our perception of the world and test the limits of language, art and technology.
Popular Culture
The Metropolitan Experience
2002
EN
Accessible
Iain Chambers approaches the often overlooked details and textures of popular culture through a series of histories which show how it becomes continually remade as each of us defines our own urban space.
Mediterranean Crossings
The Politics of an Interrupted Modernity
2008
EN
The cultural theorist Iain Chambers is known for his historically grounded, philosophically informed, and politically pointed inquiries into issues of identity, alterity, and migration, and the challenge postcolonial studies poses to conventional Western thought. With Mediterranean Crossings, he challenges insufficient prevailing characterizations of the Mediterranean by offering a vibrant interdisciplinary and intercultural interpretation of the region’s culture and history. The ...
- Series -
- Radical Cultural Studies
2017
EN
Postcolonial Interruptions, Unauthorised Modernities is a ground-breaking work that revaluates the cultural and political understandings of the world today from the perspective of the south. Largely located in the Mediterranean, and in understandings of a ‘southern question’ that extends beyond local and national confines, the arguments and perspectives proposed seek to explore the historical formation and political configurations of a multiple modernity.Drawing upon the interdisci...
Border Dialogues (Routledge Revivals)
Journeys in Postmodernity
- Series -
- Routledge Revivals
2013
EN
Accessible
First published in 1990, Border Dialogues explores some of the territories of contemporary culture, philosophy and criticism. It touches on arguments surrounding Nietzsche and Italian ‘weak thought’, the mysteries of being ‘British’, and with more immediate concerns such as computers, fashion, gender and ethnicity. The chapters explore how such different strands are joined together, and how this can lead to a reassessment of contemporary cultural criticism. This innovative and int...
The Postcolonial Question
Common Skies, Divided Horizons
2002
EN
Accessible
Brings together renowed and emerging critical voices to respond to the questions raised by the concept of the 'post-colonial'. The contributors explore the diverse cultures which are shaping our global future.
- Series -
- Comedia
2008
EN
In Migrancy, Culture, Identity, Iain Chambers unravels how our sense of place and identity is realised as we move through myriad languages, worlds and histories. The author explores the uncharted impact of cultural diversity on today's world, from the 'realistic' eye of the painter to the 'scientific' approach of the cultural anthropologist or the critical distance of the historian; from the computer screen to the Walkman and 'World Music'. Migrancy, Culture and Identity ...
The Postcolonial Museum
The Arts of Memory and the Pressures of History
2016
EN
Accessible
This book examines how we can conceive of a ’postcolonial museum’ in the contemporary epoch of mass migrations, the internet and digital technologies. The authors consider the museum space, practices and institutions in the light of repressed histories, sounds, voices, images, memories, bodies, expression and cultures. Focusing on the transformation of museums as cultural spaces, rather than physical places, is to propose a living archive formed through creation, participation, production ...
People who read this also enjoyed
Postmodernism
A Very Short Introduction
- Series -
- Very Short Introductions
2002
EN
Postmodernism has been a buzzword in contemporary society for the last decade. But how can it be defined? In this Very Short Introduction Christopher Butler challenges and explores the key ideas of postmodernists, and their engagement with theory, literature, the visual arts, film, architecture, and music. He treats artists, intellectuals, critics, and social scientists 'as if they were all members of a loosely constituted and quarrelsome political party' - a party which includes such memb...
The Literary Theory Toolkit
A Compendium of Concepts and Methods
2011
EN
The Literary Theory Toolkit offers readers a rich compendium of key terms, concepts, and arguments necessary for the study of literature in a critical-theoretical context.Includes varied examples drawn from readily available literary texts spanning all periods and genresFeatures a chapter on performance, something not usually covered in similar textsCovers differing theories of the public sphere, ideology, power, and the social relations necessary...
Comparative Literature
A Very Short Introduction
- Series -
- Very Short Introductions
2018
EN
Comparative Literature is both the past and the future of literary studies. Its history is intimately linked to the political upheavals of modernity: from colonial empire-building in the nineteenth century, via the Jewish diaspora of the twentieth century, to the postcolonial culture wars of the twenty-first century, attempts at 'comparison' have defined the international agenda of literature. But what is comparative literature? Ambitious readers looking to stretch themselves are usually i...
Performance Analysis
An Introductory Coursebook
2005
EN
This revolutionary introductory performance studies coursebook brings together classic texts in critical theory and shows how these texts can be used in the analysis of performance. The editors put their texts to work in examining such key topics as: * decoding the sign * the politics of performance * the politics of gender and sexual identity * performing ethnicity * the performing body * the space of performance * audience and spectatorship * the borders of performance. Each reading is c...











