Showing results for "james e genova"
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2013
EN
"Illuminates the enduring importance of political and economic dynamics not yet fully explored in the study of African cinema." — AfricaCinema and Development in West Africa shows how the film industry in Francophone West African countries played an important role in executing strategies of nation building during the transition from French rule to the early postcolonial period.James E. Genova sees the construction of African identities and e...
African Cinema: Manifesto and Practice for Cultural Decolonization
Volume 1: Colonial Antecedents, Constituents, Theory, and Articulations
- by
- Gaston Jean-Marie KaboréMichael T. MartinRoy ArmesJames E. GenovaFemi Okiremuete ShakaJames BurnsTom RiceOdile GoergMed HondoFérid BoughedirHaile GerimaSada NiangMonique Mbeka PhobaOlivier BarletClyde R. TaylorAlexie TcheuyapEsiaba IrobiStephen A. ZacksTeshome H. GabrielDavid MurphyJude AkudinobiMaureen N. EkeArnold SheppersonKeyan G. TomaselliPaulin Soumanou VieyraBoukary SawadogoClaude ForestSamba GadjigoBeti Ellerson
2023
EN
Challenging established views and assumptions about traditions and practices of filmmaking in the African diaspora, this three-volume set offers readers a researched critique on black film.Volume One of this landmark series on African cinema draws together foundational scholarship on its history and evolution. Beginning with the ideological project of colonial film to legitimize the economic exploitation and cultural hegemony of the African continent during imperia...
Making New People
Politics, Cinema, and Liberation in Burkina Faso, 1983–1987
2022
EN
On August 4, 1983, Captain Thomas Sankara led a coalition of radical military officers, communist activists, labor leaders, and militant students to overtake the government of the Republic of Upper Volta. Almost immediately following the coup’s success, the small West African country—renamed Burkina Faso, or Land of the Dignified People—gained international attention as it charted a new path toward social, economic, cultural, and political development based on its people’s needs rather tha...
If Jesus Is the Answer, What Is the Question?
Questions from God
2016
EN
In If Jesus Is the Answer, What Is the Question?, Dr. Genova reflects on six important questions, each posed by God to his people in the Hebrew scriptures. God asks these questions because we need to examine our own experiences and to use our reason to gain an improved understanding of God, ourselves, our community, and our interrelationships.The questions are:Who is your Lord?Who are you?What do you need?Do you understand?What will God do?
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Postcolonial African Writers
A Bio-bibliographical Critical Sourcebook
2012
EN
This reference book surveys the richness of postcolonial African literature. The volume begins with an introductory essay on postcolonial criticism and African writing, then presents alphabetically arranged profiles of some 60 writers, including Chinua Achebe, Nadine Gordimer, Bessie Head, Doris Lessing, Tsitsi Dangarembga, Tahbar Ben Jelloun, among others. Each entry includes a brief biography, a discussion of major works and themes that appear in the author's writings, an overview of the...
2012
EN
This collection of essays foregrounds the work of filmmakers in theorizing and comparing postcolonial conditions, recasting debates in both cinema and postcolonial studies. Postcolonial cinema is presented, not as a rigid category, but as an optic through which to address questions of postcolonial historiography, geography, subjectivity, and epistemology.Current circumstances of migration and immigration, militarization, economic exploitation, racial and religious conflict, enactme...
2003
EN
The most comprehensive reference work on African literature to date, this book covers all the key historical and cultural issues in the field. The Encyclopedia contains over 600 entries covering criticism and theory, African literature's development as a field of scholarship, and studies of established and lesser-known writers and their texts. While the greatest proportion of literary work in Africa has been a product of the twentieth century, the Encyclopedia also covers...
Writing and Filming the Genocide of the Tutsis in Rwanda
Dismembering and Remembering Traumatic History
2010
EN
Writing and Filming the Genocide of the Tutsis in Rwanda: Dismembering and Remembering Traumatic History is an innovative work in Francophone and African studies that examines a wide range of responses to the 1994 genocide of the Tutsis in Rwanda. From survivor testimonies, to novels by African authors, to films such as Hotel Rwanda and Sometimes in April, the arts of witnessing are varied, comprehensive, and compelling. Alexandre Dauge-Roth compares the specific potential and the...
Drawing France
French Comics and the Republic
2010
EN
In France, Belgium, and other Francophone countries, comic strips---called bande dessinee or "BD" in French---have long been considered a major art form capable of addressing a host of contemporary issues. Among French-speaking intelligentsia, graphic narratives were deemed worthy of canonization and critical study decades before the academy and the press in the United States embraced comics.The place that BD holds today, however, belies the contentious political route the art form...
Necessary Noise
Music, Film, and Charitable Imperialism in the East of Congo
2016
EN
Since 1997, the war in the east of the Democratic Republic of the Congo has taken more than 6 million lives and shapes the daily existence of the nation's residents. While the DRC is often portrayed in international media as an unproductive failed state, the Congolese have turned increasingly to art-making to express their experience to external eyes. Author Chérie Rivers Ndaliko argues that cultural activism and the enthusiasm to produce art exists in Congo as a remedy for the social ills...
African Film and Literature
Adapting Violence to the Screen
- Series -
- Film and Culture Series
2009
EN
Analyzing a range of South African and West African films inspired by African and non-African literature, Lindiwe Dovey identifies a specific trend in contemporary African filmmaking-one in which filmmakers are using the embodied audiovisual medium of film to offer a critique of physical and psychological violence. Against a detailed history of the medium's savage introduction and exploitation by colonial powers in two very different African contexts, Dovey examines the complex ways in whi...
2011
EN
What happens when social and political processes such as globalization shape cultural production? Drawing on a range of writers and filmmakers from Africa and elsewhere, Akin Adesokan explores the forces at work in the production and circulation of culture in a globalized world. He tackles problems such as artistic representation in the era of decolonization, the uneven development of aesthetics across the world, and the impact of location and commodity culture on genres, with a distinctiv...











