Jane Duran's new book of two striking sequences takes readers into other worlds – 'gridlines', in which the life and paintings of Agnes Martin are interwoven, and 'miniatures of al-Andalus' inspired by the illuminated Cantigas de Santa María and the art and artefacts of Islamic Iberia. The simple gridlines of Duran's couplets recall Martin's square canvasses, her precisely rendered grids and luminous stripes. Responding to individual images and to Martin's own biography, discovering lovely...

Recent work on the Platonic notion of the Guardian has focused on the female Guardian, or “Philosopher Queen,” but mainly insofar as the idea is problematic. Okin, Saxonhouse, and others have tried to be more precise about the concepts involved—this work aims to use actual publications by British and continentally-trained women aristocrats of the sixteenth and seventeenth centuries to fill in the lacunae. It is concluded that these women were not only philosophical thinkers, but in some se...

Jane Duran' s Pier 52 is a poetic diptych. Its first part is a meditation on the architectural sculptures and installations of artist Gordon Matta-Clark, whose radical cuts in derelict, abandoned buildings brought revelatory light, movement, space and distance into confinement and darkness. In a second sequence, ' closed spaces, Palestine' , Duran evokes the enclosures imposed by Israel on Palestinians. Here is a brave new world of barriers, surveillance and unimaginable loss, whe...

New work on women thinkers often makes the point that philosophical conceptual thought is where we find it, examples such as Simone de Beauvoir and the nineteenth century Black American writer Anna Julia Cooper assure us that there is ample room for the development of philosophy in literary works but as yet there has been no single unifying attempt to trace such projects among a variety of women novelists. This book articulates philosophical concerns in the work of five well known twentiet...

This book presents the feminist critique of science and the philosophy of science in such a way that students of philosophy of science, philosophers, feminist theorists, and scientists will find the material accessible and intellectually rigorous.

Jane Duran's Worlds of Knowing begins to fill an enormous gap in the literature of feminist epistemology: a wide-ranging, cross-cultural primer on worldviews and epistemologies of various cultures and their appropriations by indigenous feminist movements in those cultures. It is the much needed epistemological counterpart to work on cross-cultural feminist social and political philosophy. This project is absolutely breath-taking in scope, yet a manageable read for anyone with some backgrou...

The first volume to explore comprehensively the intersection of feminism, politics, and philosophy, Women in Political Theory sheds light on the contributions of women philosophers and theorists to contemporary political thought. With close attention to the work of five central thinkers-Sarah Grimké, Anna Julia Cooper, Jane Addams, Rosa Luxemburg and Hannah Arendt-this book not only offers sustained analyses of the thought of these leading figures, but also examines their relationship with...

This book forwards a line of argument that indicates how feminist analyses can ameliorate the standard consequential (and occasionally deontological) lines in applied ethics. Drawing on core concepts in feminist philosophy, Feminist Analyses of Applied Ethics investigates five major issues: immigration, environmental preservation, intervention in medical areas, the peace movement, and matters of citizenship. Although most of these areas have received extensive analysis, there is no one wor...

Jane Duran's father fought in the Spanish Civil War with the Republican army and went into exile after its defeat. This poem-sequence takes as its point of departure her father's silence about the war: 'He lays down his arms. / He raises his arms over his head. / He will not tell.' In a constant search for 'the breath of the unknown', the poems move between the present and the past. Professor Paul Preston's introduction offers a broad outline of the course and significance of the war and p...

Chelsea didn't mind being a club girl. Who wouldn't want a group of possessive alpha males on your side and in your bed? The freedom and the lifestyle allowed her to spread her wings while the rules and bylaws kept everyone in line. It was comfortable—safe.But while her head told her she was happy, her heart reminded her constantly of what she really wanted—Brothers by Blood President, Optimus. He was a brooding asshole who was sexy, loyal and pushed the boundaries of both her body...

For Blizzard, the feeling of betrayal was one he knew well. His father, a long-time member of the Brothers by Blood MC, believed the brotherhood came first, even before his wife and child. At first Blizzard didn't even blame his mother for walking out on them. That was until he learned that she'd hooked up with a member of another MC, leaving him behind to deal with the aftermath.He never thought he would feel that kind of pain again, swearing that his back would never again see th...

Harmony makes no excuses for who she is or what she's done. For the past few years she's been living as a club girl for the Brothers by Blood MC. She respects the club, respects the men and she follows the rules. Watching the men walk in and out of her life is strangely comforting, and a feeling she's grown accustomed to. With a history of disappointments and false promises, all she wants is to have fun, play music, and finish college. Being associated with the club, she can do that withou...