A collection of poems by an inner-city priest reflecting time spent in Ireland.

The diary of a man trying to live within his religious faith while dealing with the harsh realities of urban America.

More than a decade after Jack Gilbert’s The Great Fires, this highly anticipated new collection shows the continued development of a poet who has remained fierce in his avoidance of the beaten path. In Refusing Heaven, Gilbert writes compellingly about the commingled passion, loneliness, and sometimes surprising happiness of a life spent in luminous understanding of his own blessings and shortcomings: “The days and nights wasted . . . Long hot afternoons / watching ants w...

Titanic is written in 'Triplicism' and revolves around a conversation between SO or SM Lightoller (Highest Ranked) surviving officer on RMS Titanic and Millvina Dean a two month old who was carried from sinking ship. She was steerage, which is third class, and was saved in a bundle of cloth, but would have no memory of what happened.In the poem Lightoller tells her what happens on his final deck inspection, one hour and forty minutes before the Titanic hit's the Iceberg.He ...

Fly Guy learns all about castles!Children across the nation voted for the topic of this Fly Guy Presents book, and the winning topic was... CASTLES! On their latest field trip, Fly Guy and Buzz learn all about castles: from drawbridges and dungeons to kings, queens, and knights! Award-winning author/illustrator Tedd Arnold brings nonfiction to life for beginning readers. There are humorous illustrations and engaging photographs throughout. The front cover features eye-catching holo...

Art, landscape and memory are interwoven strands in the fabric of Grace Nichols' latest collection, Picasso, I Want My Face Back. The book opens with a long poem in the voice of Dora Maar, who, as Picasso's muse and mistress, was the inspiration for his iconic painting, The Weeping Woman. The poem's parts are almost interlocking reflections that echo the cubistic manner of the painting and allow us to enter the shifting surfaces of Dora Maar's mind and her journey of self reclamation.

JOYCE'S MOTTO has had much fame but few apostles. Among them, there has been Jack Gilbert and his orthodoxy, a strictness that has required of this poet, now in the seventh decade of his severe life, the penalty of his having had almost no fame at all. In an era that puts before the artist so many sleek and official temptations, keeping unflinchingly to a code of "silence, exile, and cunning" could not have been managed without a show of strictness well beyond the reach of the theater of t...

John Burnside's remarkable book is full of strange, unnerving poems that hang in the memory like a myth or a song.These are poems of thwarted love and disappointment, of raw desire, of the stalking beast, 'eye-teeth/and muzzle/coated with blood'; poems that recognise 'we have too much to gain from the gods, and this is why/they fail to love us'; poems that tell of an obsessive lover coming to grief in a sequence that echoes the old murder ballads, or of a hunter lo...

Rowan Williams's first collections of poems, After Silent Centuries and Remembering Jerusalem, along with a selection of new ones make up this new collection. It displays a poetry that embodies abstract ideas in vivid sensual images. The subject matter ranges widely: the natural world, works of art, recollections of a visit to the Holy Land at Easter, thoughts arising from fragments of the ancient Celtic world, and reflections on modern Welsh life. A group of poems expresses meditations on...

If Lavinia Greenlaw's Minsk was about home, her new collection tests the proximities of elsewhere, 'the circle round our house', the road between two lives. Its title recalls a phrase of Robert Lowell's to describe Elizabeth Bishop -- one of the book's presiding spirits, with her insistence on the provisional, on the moment in which perception is formed, on landscape as action rather than description. The Casual Perfect continues Lavinia Greenlaw's explorations of light a...

This is Jack Gilbert's first book since the now-legendary Views of Jeopardy appeared as the 1962 entry in the Yale Series of Younger Poets. Beat poetry was much in vogue at the time, a discursive poetry that rages against things as they are. Perhaps it was for this reason the strict compression of Jack Gilbert's work and its celebration of an ideal of romantic love caused such a sensation. The Times declared him "one of the most exciting voices of the second half of our c...

The European winters of 2009 and 2010 serve as inspiration for the evocative poems in this collection that anxiously yet joyfully unite the seasons and creatures of the planet. The extremity of those record-setting winters in the UK redefined all seasons for the poet, and her notion that nature asserted itself and renewed the environment for the imagination is conveyed in poems such as "Polar," in which a polar bear rug transforms personal and ecological longing into a creative act. The co...