Showing results for "john webster"

Adultery, intrigue, murder, revenge: the densely-packed plot of The White Devil touches on topics that are representative of the atmosphere of Jacobean tragedy. Part tragedy, part satire of a corrupt political world, the play explores the relations of the powerful to the disempowered; the opportunities and constraints of women trying to survive in a male-dominated society; the complex distribution of social hierarchy by birth, wealth, gender, race; and the way the skills licensed ...

In "The Displaying Of Supposed Witchcraft," John Webster embarks on a daring journey through the labyrinth of 17th-century witch trials, challenging the very fabric of societal beliefs and judicial practices. With a keen eye for detail and a relentless pursuit of truth, Webster dissects the hysteria and fear that fueled accusations, revealing the fragile human psyche behind the facade of supernatural claims. His work not only critiques the flawed legal systems of his time but also resonate...

The Duchess Of Malfi by John Webster.

The plays of Jacobean dramatist John Webster are masterpieces of early seventeenth-century English theatre. ‘The White Devil’ depicts a dark, sinister world of duplicity, intrigue and murderous infidelity, while ‘The Duchess of Malfi’ tells the macabre story of a woman who marries beneath herself and sets in motion a terrible cycle of violence. Unlike these revenge tragedies, ‘The Devil’s Law-Case’ asserts social order in a plot filled with twists of fate. Written at a time when the court ...

"The Duchess of Malfi" was published in 1623, but the date of writing may have been as early as 1611. It is based on a story in Painter's "Palace of Pleasure," translated from the Italian novelist, Bandello; and it is entirely possible that it has a foundation in fact. In any case, it portrays with a terrible vividness one side of the court life of the Italian Renaissance; and its picture of the fierce quest of pleasure, the recklessness of crime, and the worldliness of the great princes o...

We rely on your support to help us keep producing beautiful, free, and unrestricted editions of literature for the digital age. Will you support our efforts with a donation ? John Webster was a later contemporary of Shakespeare , and The Duchess of Malfi , Webster's best known play, is considered among the best of the period. It appears to have been first performed in 1612–13 at the Blackfriars before moving on to the larger and more famous Globe Theatre, and was later published in 1623. T...

John Webster was a later contemporary of Shakespeare, and The Duchess of Malfi, Webster's best known play, is considered among the best of the period. It appears to have been first performed in 1612-13 at the Blackfriars before moving on to the larger and more famous Globe Theatre, and was later published in 1623.The play is loosely based on a real Duchess of Amalfi, a widow who marries beneath her station. On learning of this, her brothers become enraged and vow their rev...

The church's vocation is to treasure the gospel and live it out. The late theologian John Webster believed Christian preachers and theologians should be principally concerned with the proclamation of this news. At the center of that proclamation is our salvation in Christ.In this compilation of homilies, John Webster explores the various contours of the salvation accomplished for us in Christ and displays for preachers a model of theological exegesis that understands that the gospe...

In publishing this tragedy, I do but challenge myself that liberty, which other men have taken before me; not that I affect praise by it, for, nos hæc novimus esse nihil, only since it was acted in so dull a time of winter, presented in so open and black a theatre, that it wanted (that which is the only grace and setting-out of a tragedy) a full and understanding auditory; and that since that time I have noted, most of the people that come to that playhouse resemble those ignorant asses (w...

"The Duchess of Malfi" was published in 1623, but the date of writing may have been as early as 1611. It is based on a story in Painter's "Palace of Pleasure," translated from the Italian novelist, Bandello; and it is entirely possible that it has a foundation in fact. In any case, it portrays with a terrible vividness one side of the court life of the Italian Renaissance; and its picture of the fierce quest of pleasure, the recklessness of crime, and the worldliness of the great princes o...

"Previously published as The grace of truth (Farmington Hills, Mich.: Oil Lamp Books LLC, 2011)"--Title page verso.

John Webster, one of the world's leading systematic theologians, published extensively on the nature and practice of Christian theology. This work marked a turning point in Webster's theological development and is his most substantial statement on the task of theology. It shows why theology matters and why its pursuit is a demanding but exhilarating venture. Previously unavailable in book form, this magisterial statement, now edited and critically introduced for the first time, presents We...