In 1957 a few European avant-garde groups came together to form the Situationist International. Picking up where the dadaists and surrealists had left off, the situationists challenged people's passive conditioning with carefully calculated scandals and the playful tactic of detournement. Seeking a more extreme social revolution than was dreamed of by most leftists, they developed an incisive critique of the global spectacle-commodity system and of its 'Communist' pseudo-opposition, and th...

It may seem absurd to talk about revolution. But all the alternatives assume the continuation of the present system, which is even more absurd.Best known for his translations of works by Guy Debord and the Situationist International, Ken Knabb is himself the author of many incisive radical texts. The Joy of Revolution is widely considered his masterpiece. While there have been countless histories of past revolutions and countless examinations of the many f...

'It may seem absurd to talk about revolution. But all the alternatives assume the continuation of the present system, which is even more absurd.' Best known for his meticulous translations of numerous works by Guy Debord and the Situationist International, Ken Knabb is also the author of numerous radical texts. The Joy of Revolution is widely considered his masterpiece. While there have been numerous histories of past revolutions and countless debates about the merits and drawbacks of diff...

The Situationist International Anthology is the most comprehensive and accurately translated collection of situationist writings in English.In 1957 a few European avant-garde groups came together to form the Situationist International. Picking up where the dadaists and surrealists had left off, the situationists challenged people’s passive conditioning with carefully calculated scandals and the playful tactic of détournement (“rerouting, hijacking...

The Society of the Spectacle is a carefully considered effort to clarify the most fundamental tendencies and contradictions of the society in which we find ourselves—in order to facilitate its overthrow.Guy Debord was the founder of the Situationist International, the notorious avant-garde group that helped trigger the May 1968 revolt in France, which brought the entire country to a standstill for several weeks. His book The Society of the Spectacle

'The Debordian analysis of modern life resonates more deeply and darkly than perhaps even its creator thought possible...' - The New Yorker'Never before has Debord's work seemed quite as relevant as it does now' - The Guardian'Guy Debord is a time bomb, and a difficult one to defuse.' - Michael LöwyFirst published in 1967, Guy Debord's stinging revolutionary critique of contemporary society, The Society of the Spectacle ha...

Guy Debord, founder of the Situationist International and fomenter of the May 1968 revolt in France, was also the creator of six tantalizingly inaccessible films.Following the still-unsolved assassination of the films’ producer in 1984, all the films were withdrawn from circulation for nearly twenty years. In 2001 Debord’s widow Alice began rereleasing the films and asked Ken Knabb to translate the scripts into English. He agreed, and his translations were publishe...

Guy Debord was the founder of the Situationist International, the notorious avant-garde group that helped trigger the May 1968 revolt in France, which brought the entire country to a standstill for several weeks. His book The Society of the Spectacle, originally published in Paris in 1967, has been translated into more than twenty other languages and is arguably the most important radical work of the twentieth century. Ken Knabb's meticulous new translation is the first edition in any lang...

Guy Debord, founder of the Situationist International, fomenter of the May 1968 revolt in France, and author of The Society of the Spectacle, was also the creator of six tantalizingly inaccessible films. Technically and aesthetically, these films are among the most brilliantly innovative works in the history of the cinema. But they are not so much 'works of art' as carefully calculated subversive provocations. Following the still-unsolved Mafia-style assassination of the films' financer an...

In 1936, Ngo Van was captured, imprisoned, and tortured in the dreaded Maison Centrale prison in Saigon for his part in the struggle to free Vietnam from French colonial rule. Five years later, Vietnamese independence was won, and Van found himself imprisoned and abused once more-this time by the Stalinist freedom fighter Ho Chi Minh. Five years after that, Van was in Paris, working with the surrealists.In the Crossfire documents Ngo Van's incredible life in Vietnam during...