Many of us belong to communities that have been scarred by terrible calamities. And many of us come from families that have suffered grievous losses. How we reflect on these legacies of loss and the ways they inform each other are the questions Laura Levitt takes up in this provocative and passionate book.An American Jew whose family was not directly affected by the Holocaust, Levitt grapples with the challenges of contending with ordinary Jewish loss. She suggests that although the...

Junk Drawer: What We Leave Behind explores the personal objects that were once treasured by their owners yet were ultimately consigned to online “junk drawer” sales. Photographer and coeditor Barbara Von Eckardt acquired these random assortments from estate remnants on eBay and has documented their contents through evocative, sepia-toned images. In doing so, she has breathed new life into items that the world had deemed valueless, but that hint at the stories and identities of tho...

By interrogating America's promise of a home for Jews as citizens of the liberal state, Jews and Feminism questions the very terms of this social "contract". Maintaining that Jews, women, and Jewish women are not necessarily secure within this construction of the state, Laura Levitt links this contractual construction of belonging and acceptance to legacies of marriage as a contractual home for Jewish women.Exploring the immigration of Jews from Eastern Eu...

Judaism Since Gender offers a radically new concept of Jewish Studies, staking out new intellectual terrain and redefining the discipline as an intrinsically feminist practice.The question of how knowledge is gendered has been discussed by philosophers and feminists for years, yet is still new to many scholars of Judaism. Judaism Since Gender illuminates a crucial debate among intellectuals both within and outside the academy, and...

On a November evening in 1989, Laura Levitt was raped in her own bed. Her landlord heard the assault taking place and called 911, but the police arrived too late to apprehend Laura’s attacker. When they left, investigators took items with them—a pair of sweatpants, the bedclothes—and a rape exam was performed at the hospital. However, this evidence was never processed.Decades later, Laura returns to these objects, viewing them not as clues that will lead to the identification of he...

Why do we have such extraordinarily powerful responses toward the images and pictures we see in everyday life? Why do we behave as if pictures were alive, possessing the power to influence us, to demand things from us, to persuade us, seduce us, or even lead us astray?According to W. J. T. Mitchell, we need to reckon with images not just as inert objects that convey meaning but as animated beings with desires, needs, appetites, demands, and drives of their own. What Do Pictures...

A history of one of humankind’s most resilient and influential technologies over the past millennium—the book. Revelatory and entertaining in equal measure, Portable Magic will charm and challenge literature lovers of all kinds as it illuminates the transformative power and eternal appeal of the written word.Stephen King once said that books are “a uniquely portable magic.” Here, Emma Smith takes readers on a literary adventure that spans centuries and cir...

Is secularism a positive force in the modern world? Or does it lead to fragmentation and disintegration? In Saving Leonardo, best-selling award-winning author Nancy Pearcey (Total Truth, coauthor How Now Shall We Live?) makes a compelling case that secularism is destructive and dehumanizing.Pearcey depicts the revolutionary thinkers and artists, the ideas and events, leading step by step to the unleashing of secular worldviews that undermine human dignity...

Ways of Seeing is a key art-historical work that continues to provoke widespread debate. It is comprised of seven different essays, three of which are pictorial and the other containing texts and images. Berger first examines the relationship between seeing and knowing, discussing how our assumptions affect how we see a painting. He moves on to consider the role of women in artwork, particularly regarding the female nude. The third essay deals with oil painting looking at the rela...

A compelling intellectual and literary history of midcentury AmericaIn a midcentury American cultural episode forgotten today, intellectuals of all schools shared a belief that human nature was under threat. The immediate result was a glut of dense, abstract books on the "nature of man." But the dawning "age of the crisis of man," as Mark Greif calls it, was far more than a historical curiosity. In this ambitious intellectual and literary history, Greif recovers th...

In this landmark collection, Patricia Hampl and Elaine Tyler May have gathered fourteen original essays from award-winning memoirists and historians. They are all storytellers, wrestling with a fascinating gray area where memory intersects with history and where the necessities of narrative collide with mundane facts. and whether the record emerges from archival sources or from personal memory, these writers show how to make the leap to telling a good story—while also telling us true....

The infamous eco-anarchist John Zerzan whose books have resulted in recent interviews by Vice and Believer magazines, checks in with further provocative articles about the chaotic results of civilization and technology.Says novelist Lang Gore in his introduction:"The present collection of essays continues the overarching thrust of John's scholarship, unveiling the post-apocalyptic nature of our times by noting the apocalypse was yesterday, several thousand...