This is the first account of the evolution of music at Wesleyan University, a campus known since the mid-nineteenth century for its musical life—first as the "Singing College of New England" and then, after 1960, as the home of a renowned undergraduate and graduate department that integrates world music studies with more traditional Western and experimental musical forms. Through excerpts from accounts in the campus newspaper over the earlier decades and eyewitness accounts by key figures ...

This VSI offers readers something no other introduction to folk music does: a cross-cultural, comparative approach, a survey of the basic issues as they have unfolded over time, and specific examples from widely differing sites of how folk musicians themselves, as well as corporations, non-governmental organizations, and governments have made full use of the available resources, older and newer strategies, and multiple agendas that keep the folk music process alive in an increasingly inter...

As a measure of individual and collective identity, music offers both striking metaphors and tangible data for understanding societies in transition—and nowhere is this clearer than in the recent case of the Eastern Bloc. Retuning Culture presents an extraordinary picture of this phenomenon. This pioneering set of studies traces the tumultuous and momentous shifts in the music cultures of Central and Eastern Europe from the first harbingers of change in the 1970s through the revol...

This is the first-ever historical study across all musical genres in any American metropolis. Detroit in the 1940s-60s was not just "the capital of the twentieth century" for industry and the war effort, but also for the quantity and extremely high quality of its musicians, from jazz to classical to ethnic. The author, a Detroiter from 1943, begins with a reflection of his early life with his family and others, then weaves through the music traffic of all the sectors of a dynamic and volat...

In an irresistible tale of a life lived fully, if not always wisely, Liam Clancy, of the legendary Irish group the Clancy Brothers, describes his eventful journey from a small town in Ireland in the 1930s into the heart of the New York music scene in the 1950s and ’60s.Following in the grand tradition of such Irish memoirs as Angela’s Ashes and Are You Somebody?, Liam Clancy relates his life’s story in a raucously funny and star-studded account of moving from provi...

In October 1956, a spontaneous uprising took Hungarian Communist authorities by surprise, prompting Soviet authorities to invade the country. After a few days of violent fighting, the revolt was crushed. In the wake of the event, some 200,000 refugees left Hungary, 35,000 of whom made their way to Canada. This would be the first time Canada would accept so many refugees of a single origin, setting a precedent for later refugee initiatives. More than fifty years later, this collection focus...

The popular quip, repeated by a number of people, is that "writing about music is like dancing about art"--it's a fun thing to say, but is it true? Is there really no value in writing about music? This collection of reviews begins with an essay describing why music writing is vital to our understanding of what music is and its place within our culture.

An extensive revision of the valued but unobtainable 1960 edition. Nearly 300 key documents are now readily available in translation.

This short book, taken from Remembered For A While, tells the stories and circumstances that surround every known recording in Nick Drake's canon (as well as a few unrecorded songs). The result is like a detailed, extended series of liner notes, something to read while sitting in your favourite chair, in your favourite room, listening to the imperishably beautiful music they describe. A Nick Drake companion.

The tragic national epic of Polish history began in these late 18th-century wars.Under Poland's Saxon monarchy, Russia and Prussia constantly meddled in the affairs of the Kingdom. In 1768 a civil war broke out between pro-Russian 'Commonwealth' Poles and 'Confederate' patriots who opposed foreign intervention; Russia intervened directly, and the First Partition followed in 1772. Guerrilla resistance continued, and, following a Second Partition between Russia and P...

Music, and folk music in particular, is often embraced as a form of political expression, a vehicle for bridging or reinforcing social boundaries, and a valuable tool for movements reconfiguring the social landscape. Reds, Whites, and Blues examines the political force of folk music, not through the meaning of its lyrics, but through the concrete social activities that make up movements. Drawing from rich archival material, William Roy shows that the People's Songs movement of the...

A SUNDAY TIMES AND TELEGRAPH BOOK OF THE YEARSHORTLISTED FOR THE PENDERYN MUSIC BOOK PRIZEPeggy Seeger is one of folk music's most influential artists and songwriters. Born in New York City in 1935, she enjoyed a childhood steeped in music and left-wing politics - they remain her lifeblood. After college, she travelled to Russia and China - against US advice - before arriving in London, where she met the man with whom she w...