The Diener investigates loss and healing, change and permanence, in a hospital trauma center and the eroding landscape of southern Louisiana. The diener himself, the morgue attendant who assists the dead in the interstice between the living world and the world beyond, is the person with whom Martha Serpas most identifies in this collection. As a part-time hospital chaplain, Serpas possesses keen insight into the despair and resolve of patients and their families and friends.Yet the...

Martha Serpas’s Double Effect reimagines a principle first outlined by St. Thomas Aquinas in Summa Theologica, which considers whether an action is morally permissible if it causes harm while bringing about a good result. In resonant verse pointed by Cajun language, these poems measure the good that can come from destructive situations: maternal deprivation, spiritual poverty, mania, ecological devastation. Serpas shows that compromised marshes and the Gulf of Mexico offe...

This anthology gathers the strong voices of accomplished poets reaching into and beyond nostalgia to remember, to honor, and to document through figurative imagery their experiences of Mexico and the vibrant border areas before the ravages of narco-violence.Locals Listen to the Mariachi Band at El Jardin in San MiguelYou see their silhouettes along the stone wallor arm in arm below the glow of garden lightshuddled like foothills, earth you coul...

"At once a love song and a dirge to a landscape being swallowed by the waters that define it."—St. Petersburg TimesAn evocative meditation on destruction and creation, the sacred and ephemeral, along Louisiana's coast. In poems that bear witness to the eroding bayou country and its Cajun culture, Martha Serpas venerates a vanishing landscape defined by water—sensuous, fecund, and destructive. As marsh turns into gulf, identity and consciousness are transfo...

This bold, wide-ranging collection -- his sixth book of poems -- demonstrates the unmistakable lyricism, fierce observation, and force of feeling that have made Mark Doty's poems special to readers on both sides of the Atlantic.The poems in Source deepen Doty's exploration of the paradox of selfhood. They offer a complex, boldly colored self-portrait; their muscular lines argue fiercely with the fact of limit; they pulse with the drama of perception and the quest to forge meaning.

Booth's eighth poetry collection, with its evocations of compassion, tenderness and invading darkness, implies that redemption will come only from having loved well and wisely. Publishers Weekly remarked, "Booth is a traveler keenly, almost mystically, aware that 'how you get there is where you'll arrive.' "

"Inseminating the Elephant [is] a collection of poems, often laced with humor, that examines popular culture, the limits of the human body, and the tragicomic aspects of everyday experience."-Pulitzer Prize finalist citation"These poems are tough and witty."-The New Yorker"Whoever told you poetry isn't for everyone hasn't read Lucia Perillo."-Time Out New YorkA 2009 Pulitzer Prize finalist, Inseminating the Elephant delivers hard-...

"from this sea I am fished, / gutted and stripped, / bled and bound, / on your ship I sail, / or go down."A Lovely Gutting echoes with the music of traditional nature poetry, but its romantic style is ripped by rawness. These poems - enraged and erotic, tormented and tender - swirl around the pain of personal loss, ebbing and surging like the North Atlantic.Durnford pictures a Newfoundland not found in postcards. Her verse roams an island only half-wild, a ramshack...

If we had the chance to do things again differently, would we?Hard to say when the snow began falling. In the 2020s, there were rumors of global warming, of severe weather changes and it was not all rumor. Many of us could feel the changes. Warm and then cold. Rain and then the sunniest of days. Then all went bad, warmer and warmer each day.

Widely regarded as the "rock star" of American poetry, Mary Oliver is a writer whose words have long had the power to move countless readers. Regularly topping the national poetry best-seller list and drawing thousands to her sold-out readings across the coutnry, Oliver is unparalleled in her impact. As noted in the Los Angeles Times, so many "go to her for solace, regeneration and inspiration" that it is not surprising Vice President Joe Biden chose to read one of her poems durin...

Much of this poised and luminous book is rooted in an idea of epiphany, an aesthetic of everyday incarnation; not the sudden and profound manifestation of essence or meaning, but the smaller steps taken toward it. The moments in which, as Joyce writes, “the soul of the commonest object…seems to us radiant.” If epiphanies are for theologians, perhaps the little steps towards them are for poets like Eve Joseph, and for all of us who attempt to see beyond the names we give things to the names...

In Anthony Carelli's remarkable debut, Carnations, the poems attempt to reanimate dead metaphors as blossoms: wild and lovely but also fleeting, mortal, and averse to the touch. Here, the poems are carnations, not only flowers, but also body-making words. Nodding to influences as varied as George Herbert, Francis Ponge, Fernando Pessoa, and D. H. Lawrence, Carelli asserts that the poet’s materials—words, objects, phenomena—are sacred, wilting in the moment, yet perennially renewed...