Peter Brook is one of the most influential directors of our time, whose productions are a byword for imagination, energy and innovation. He was born into a Russian émigré family in London and, after a turbulent time at Oxford University, he veered between directing West End comedy, new work from abroad and opera at Covent Garden. By the 1960s he was moving towards greater experimentation, with controversial works like The Marat/Sade, films like Lord of the Flies,...

'An impressive achievement' Mail on Sunday'Fascinating' Irish Times'Penetrating and entertaining ... This book is probably as close as we shall get to him [Burton]' LA TimesRichard Burton: star. The roaring boy from the Welsh coal valleys who came to sport on the banks of the old Nile, playing great Antony to Elizabeth Taylor's Cleopatra.From the West End to Hollywood, from Camelot...

In 1953, Samuel Beckett’s Waiting for Godot premiered at a tiny avant-garde theatre in Paris; within five years, it had been translated into more than twenty languages and seen by more than a million spectators. Its startling popularity marked the emergence of a new type of theatre whose proponents—Beckett, Ionesco, Genet, Pinter, and others—shattered dramatic conventions and paid scant attention to psychological realism, while highlighting their characters’ inability to understan...

From the Booker Prize-winning author of The Sense of an Ending and one of Britain's greatest writers: a brilliant collection of essays on the books and authors that have meant the most to him throughout his illustrious career.In these seventeen essays (plus a short story), Julian Barnes examines the British, French and American writers who have shaped his writing, as well as the cross-currents and overlappings of their different cultures. From the deceptiveness of Penelope...

Aimed at both the amateur enthusiast and those wishing to pursue their interest and undertake professional training, this basic introduction to the craft is full of valuable adviceThe basic skills that every actor needs to develop are covered in this guide, including breathing, voice control, the use of body language, timing, and handling the audience. The importance of understanding a text and the interaction of the characters within it is considered, as i...

**It is the middle of the Swinging Sixties, and Clive James doesn't have much to show for it. May Week Was In June is the third hilarious, tender instalment of memoir from the iconic author, poet and broadcaster.'Nobody writes like Clive James' – Spectator**Arriving at Cambridge University in a cold October in 1964, the young Clive James has yet to find a footing in the literary world. His move from Sydney and three years of hand-to-mouth existence in Lond...

An alternative autobiography of the well-loved actor and man of the theatre, winner of the Sheridan Morley Prize for Theatre Biography.In My Life in Pieces Simon Callow retraces his life through the multifarious performers, writers, productions and events which have left their indelible mark on him.The story begins with Peter Pan – his first ever visit to the theatre – before transporting us to southern Africa and South London, where Callow spent much of h...

'Damn, all my cheating secrets revealed. In book form' Stephen FryWhich philosopher had the maddest hairstyle? Which novelist drank 50 cups of black coffee every day? What on earth did Simone de Beauvoir see in Jean-Paul Sartre?How to Sound Cultured offers a wry and yet profoundly useful look inside the mirrored palaces of high culture. Covering such inscrutable characters as Heidegger, Montaigne, Kahlo and Lévi-Strauss (apparently not just a designer of jean...

Actor Training expands on Alison Hodge’s highly-acclaimed and best-selling Twentieth Century Actor Training. This exciting second edition radically updates the original book making it even more valuable for any student of the history and practice of actor training. The bibliography is brought right up to date and many chapters are revised. In addition, eight more practitioners are included - and forty more photographs - to create a stunningly comprehensive study.T...

The central argument of Chromophobia is that a chromophobic impulse – a fear of corruption or contamination through colour – lurks within much Western cultural and intellectual thought. This is apparent in the many and varied attempts to purge colour, either by making it the property of some ‘foreign body’ – the oriental, the feminine, the infantile, the vulgar, or the pathological – or by relegating it to the realm of the superficial, the supplementary, the inessential, or the cosmetic.

The sixth volume of the diary of "one of the most extraordinary and unconventional writers of [the twentieth] century" ( The New York Times Book Review).Anaïs Nin continues "one of the most remarkable diaries in the history of letters" with this volume covering more than a decade of her midcentury life ( Los Angeles Times). She debates the use of drugs versus the artist's imagination; portrays many famous people in the arts; and recounts her visit...