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Rome Or Death
The Obsessions of General Garibaldi
2012
EN
In 1875, General Garibaldi, the legendary military hero of Italian unification, left his island retreat in the Mediterranean for Rome. His battle cry no longer required, he was pursuing a mission that would become an obsession in his old age: to divert the River Tiber from Rome.Through this forgotten episode, Daniel Pick explores Garibaldi's passionate attachment to Rome and to Italy. In the bitter debate that ensued many myths were laid bare, and prevailing medical, social and pol...
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The Pike
Gabriele d’Annunzio, Poet, Seducer and Preacher of War
2013
EN
THE TIMES BIOGRAPHY OF THE DECADEWINNER OF THE 2013 SAMUEL JOHNSON PRIZE FOR NON-FICTIONWINNER OF THE 2013 COSTA BOOK AWARDS BIOGRAPHY OF THE YEARThe story of Gabriele D’Annunzio, poet, daredevil – and Fascist.In September 1919 Gabriele D’Annunzio, successful poet and occasional politician, declared himself Commandante of the city of Fiume in modern day Croatia. His intention – to establish a utopia...
2013
EN
Since its formation in 1861, Italy has struggled to develop an effective political system and a secure sense of national identity. This new edition of Christopher Duggan's acclaimed introduction charts the country's history from the fall of the Roman Empire in the west to the present day and surveys the difficulties Italy has faced during the last two centuries in forging a nation state. Duggan successfully weaves together political, economic, social and cultural history, and stresses the ...
The Force of Destiny
A History of Italy Since 1796
2008
EN
The greatness of Italy's culture and way of life have had a powerful attraction for many generations of visitors. This has created an overwhelming sense that Italy is a fundamentally benign and easy going country. The Force of Destiny, Christopher Duggan's immensely enjoyable new book, lays waste to this idea. While sharing everyone's enthusiasm for Italy as a place, he strongly distinguishes this from its political role over the past two centuries, which has been both vicious and...
2015
EN
Kenneth Clark's sweeping narrative looks at how Western Europe evolved in the wake of the collapse of the Roman Empire, to produce the ideas, books, buildings, works of art and great individuals that make up our civilisation.The author takes us from Iona in the ninth century to France in the twelfth, from Florence to Urbino, from Germany to Rome, England, Holland and America. Against these historical backgrounds he sketches an extraordinary cast of characters -- the men and women w...
The Beauty and the Terror
An Alternative History of the Italian Renaissance
2020
EN
The Italian Renaissance shaped Western culture - but it was far stranger and darker than many of us realise.'Brilliant and gripping, here is the full true Renaissance in a history of compelling originality and freshness' Simon Sebag MontefioreWe know the Mona Lisa for her smile, but not that she was married to a slave-trader. We revere Leonardo da Vinci for his art, but few now appreciate his ingenious designs for weaponry. We visi...
The Last Leopard
A life of Giuseppe Tomasi di Lampedusa
2012
EN
In 1957, Giuseppe Tomasi, the last Prince of the Sicilian Lampedusa family, died impoverished and unknown, leaving behind the manuscript of a book he had recently finished. The following year the book, The Leopard, was published in Italy and has since been widely translated and recognized as one of the great novels of the twentieth century. For over a quarter of a century, the reclusive man's papers were hidden from the public, until David Gilmour was befriended by Lampedusa's adopted son....
A Brief History of Italy
Indispensable for Travellers
2018
EN
'Jeremy Black skilfully sketches social, cultural and political trends' - Christina Hardyment, Times audiobook of the week'A remarkable mixture of cold history, wide culture and personal experience'Ciro Paoletti, Secretary General of the Italian Commission of Military HistoryDespite the Roman Empire's famous 500-year reign over Europe, parts of Africa and the Middle East, Italy does not have the same long na...
Michelangelo
His Epic Life
2013
EN
At thirty one, Michelangelo was considered the finest artist in Italy, perhaps the world; long before he died at almost 90 he was widely believed to be the greatest sculptor or painter who had ever lived (and, by his enemies, to be an arrogant, uncouth, swindling miser).For decade after decade, he worked near the dynamic centre of events: the vortex at which European history was changing from Renaissance to Counter Reformation. Few of his works - including the huge frescoes of the ...
Master of Shadows
The Secret Diplomatic Career of the Painter Peter Paul Rubens
2009
EN
Although his popularity is eclipsed by Rembrandt today, Peter Paul Rubens was revered by his contemporaries as the greatest painter of his era, if not of all history. His undeniable artistic genius, bolstered by a modest disposition and a reputation as a man of tact and discretion, made him a favorite among monarchs and political leaders across Europe—and gave him the perfect cover for the clandestine activities that shaped the landscape of seventeenth-century politics.In Maste...
Renaissance Art
A Beginner's Guide
- Series -
- Beginner's Guides
2012
EN
The fifteenth century saw the evolution of a distinct and powerfully influential European artistic culture. But what does the familiar phrase Renaissance Art actually refer to? Through engaging discussion of timeless works by artists such as Jan van Eyck, Leonardo da Vinci, and Michelangelo, and supported by illustrations including colour plates, Tom Nichols offers a masterpiece of his own as he explores the truly original and diverse character of the art of the Renaissance.
Eyewitnessing
The Uses of Images as Historical Evidence
2011
EN
Eyewitnessing evaluates the place of images among other kinds of historical evidence. By reviewing the many varieties of images by region, period and medium, and looking at the pragmatic uses of images (e.g. the Bayeux Tapestry, an engraving of a printing press, a reconstruction of a building), Peter Burke sheds light on our assumption that these practical uses are ‘reflections’ of specific historical meanings and influences. He also shows how this assumption can be problematic.











